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1. Which of the following best describes the theme of the concluding couplet (lines 13-14)?

2. George Grenville viewed the Stamp Act primarily as a means to

3. Which of the following statements is generally true of the framers of the Constitution?

4. “What is man born for but to be a reformer, a remaker of what man has made; a renouncer of lies; a restorer of truth and good, imitating that great Nature which embosoms us all, and which sleeps no moment on an old past, but every hour repairs herself, yielding every morning a new day, and with every pulsation a new life?” These sentiments are most characteristic of

5. From 1870 to 1930, the trend in industry was for hours to be generally reduced, while both money wages and real wages rose. What factor was primarily responsible for this trend?

6. All of the following are true of the movement to prohibit alcoholic beverages in the United States EXCEPT:

7. I. “I believe it is the duty of the Negro—as the greater part of the race is already doing —to deport himself modestly in regard to political claims, depending upon the slow but sure influences that proceed from the possession of property, intelligence, and high character for the full recognition of his political rights.” II. “The truth is that ‘integration’ is an image, it’s a foxy Northern liberal’s smoke-screen that confuses the true wants of the American black man.” III. “The talented tenth of the Negro race must be made leaders of thought and missionaries of culture among their people. . . . The Negro race, like all other races, is going to be saved by its exceptional men.” The most probable authors of statements I, II, and III, respectively, are

8. Which of the following was symbolic of the rise of American influence in the fine arts after the Second World War?

9. Major population shifts between 1915 and 1980 included all of the following EXCEPT a movement from

10. Which of the following presidents is correctly paired with an event that took place during his administration?

11. The Emancipation Proclamation declared slaves in which of the following areas “forever free”?

12. “The point I wish plainly to bring before you on this occasion is the individuality of each human soul; our Protestant idea, the right of individual conscience and judgment; our republican idea, individual citizenship. . . . If we consider [a woman] as a citizen, as a member of a great nation, she must have the same rights as all other members, according to the fundamental principles of our government.” The statement above was made by

13. The controversy with Great Britain over the northern boundary of the shaded section in the map above was settled during the presidency of

14. A major change brought about by Franklin D. Roosevelt’s New Deal, 1933–1939, was the

15. The 1940s poster above referred to the

16. Which of the following was an important virtue in Confucianism?

17. Early Christians developed the monastic ideal as a means of counteracting

18. The Silk Routes were important in ancient times because they

19. The bronze plaque shown above was created in

20. Which of the following was characteristic of the physical environments of early river-valley civilizations in the Near East?

21. The ancient Chinese symbol of the universe shown above represented

22. In the map above, the numbered dots correspond to cities. In the eighth century, which cities were near the east-west limits of the Islamic world?

23. The encomienda system of colonial Spanish America most closely resembled the European practice of

24. In early modern Europe, governments sought to increase national wealth and maintain a favorable balance of trade through government intervention by advocating

25. “Where it is an absolute question of the welfare of our country, we must admit of no considerations of justice or injustice, or mercy or cruelty, or praise or ignominy, but putting all else aside must adopt whatever course will save its existence and preserve its liberty.” The statement above expresses the viewpoint of which of the following?

26. Social Darwinists such as Herbert Spencer argued that

27. Differences between which two religions contributed to violent conflicts in India during and after the struggle for independence in 1947?

28. Most of the noncitizens currently residing in Western European countries originally came to Western Europe to

29. Which of the following most accurately reveals common ancestry among many different species of organisms?

30. An appropriate control to show that this experiment measures DNA synthesis and not RNA synthesis would be to perform the same procedures but

31. Which of the following individuals is most fit in evolutionary terms?

32. Which of the following is true of the magnetic field produced by a current in a long, straight wire?

33. The Earth has a radius of 6,400 kilometers. A satellite orbits the Earth at a distance of 12,800 kilometers from the center of the Earth. If the weight of the satellite on Earth is 100 kilonewtons, the gravitational force on the satellite in orbit is

35. A pendulum of length with a bob of mass m is oscillating with small amplitude. Which of the following changes in the pendulum would double its period?

36. Emily’s school offers 3 English classes and 4 History classes for her to choose from. She must choose 3 of these classes to complete her schedule. If exactly one of these must be an English class, how many different combinations of classes are possible for Emily? 34

37. A class of 20 students borrowed library books for their research projects. Some of the students borrowed 3 books each, and the rest borrowed 2 books each. If a total of 52 books were borrowed, how many of the students borrowed 3 books each?

38. According to the study, as the body ages, the chance that medications will cause harmful side effects are on the increase

39. The most versatile skin in nature helps squid ambush prey, avoiding predators, as well as courting mates, and signaling one another.

40. Six stories high, with portholes for eyes and a spiral staircase in each hind leg, is the elephant-shaped building known as “Lucy,” which towered over Margate City, New Jersey, since 1881.

41. Researchers have found that the eyes of tropical nocturnal sweat bees are about 30 times more sensitive to light than it is with honeybees.

42. A war is raging between experts who see psychotherapy as an art as well as them calling for scientifically proven methods.

43. Where the Illinois and Missouri Rivers feed into the Mississippi, the rivers meander, forming swamps and oxbow lakes and creating a flood plain environment known as the American Bottom.

44. As postmaster general, Benjamin Franklin sped up mail service between Boston and Philadelphia, he required post riders to continue day and night, thus making the round trip in six days instead of three weeks.

45. In context, which word should be inserted at the beginning of sentence 8?

46. Which of the following facts about glucose is most important to add to sentence 11?

47. The author mentions Nancy Drew and War and Peace in line 4 primarily to

48. In the passage, what is the narrator’s major complaint about her job?

49. The author primarily views chemistry as

50. The author describes chemistry and physics as “mundane” in line 8 primarily to

51. The primary purpose of the passage is to

52. The use of quotation marks in the first sentence of the passage signifies that the author

53. The authors of both passages assume that the legendary King Arthur was

54. Unlike the author of Passage 2, the author of Passage 1 does NOT mention

55. The word “patterns” in line __ most nearly means

56. In Passage 1, “a king in the sense we understand kingship” most probably refers to

57. Having inherited a staff known for ------- resources, the new chairman had no choice but to introduce a number of more efficient practices.

58. Critics of the novelist found his prose style as ------- as his ideas, and insisted that his work was ------- originality and substance.

59. The young reporter was glad to be learning the basics at the local newspaper, but he was becoming bored with ------ news stories and was --------- to cover more exciting action.

60. Mrs. Sorice felt that Ed’s ---------- comments during class discussion helped the other students understand the complex ideas presented in the book.

61. Once the audience began to applaud and laugh at her jokes, Vanessa felt more ----- ------ and her delivery became less ---------.

62.Which choice best describes what happens in the passage?

63.Which choice best describes the developmental pattern of the passage?

64.As used in line 1 and line 65, “directly” most nearly means

65.Which reaction does Akira most fear from Chie?

66.Which choice provides the best evidence for the answer to the previous question?

67.In the passage, Akira addresses Chie with

68.The main purpose of the first paragraph is to

69.Why does Akira say his meeting with Chie is “a matter of urgency” (line 32)?

70.Which choice provides the best evidence for the answer to the previous question?

71.The authors most likely use the examples in lines 1-9 of the passage (“Every . . . showers”) to highlight the

72.The “social psychologists” mentioned in paragraph 2 (lines 17-34) would likely describe the “deadweight loss” phenomenon as

73.In line 10, the word “ambivalent” most nearly means

74.The authors indicate that people value gift-giving because they feel it

75.Which choice provides the best evidence for the answer to the previous question?

76.The authors’ use of the words “exact,” “specific,” and “complement” in lines 47-49 in the final paragraph functions mainly to

77.As it is used in line 54, “convey” most nearly means

78.According to the table, which of the following pairs of base percentages in sea urchin DNA provides evidence in support of the answer to the previous

79.Woolf indicates that the procession she describes in the passage

80.According to the passage, Woolf chooses the setting of the bridge because it

81.If y = kx, where k is a constant, and y = 24 when x = 6, what is the value of y when x = 5 ?

82.If 16 + 4x is 10 more than 14, what is the value of 8x ?

83.At which of the following air temperatures will the speed of a sound wave be closest to 1,000 feet per second?

84.Which of the following numbers is NOT a solution of the inequality 3x − 5 ≥ 4x − 3 ?

85.A food truck sells salads for $6.50 each and drinks for $2.00 each. The food truck’s revenue from selling a total of 209 salads and drinks in one day was $836.50. How many salads were sold that day?

86. Which of the following best describes the pattern of immigration into Britain’s North American colonies during the years 1620 to 1770?

87. After Granny’s “Good morning” (line 7), the camera man probably behaves as he does because he

88. The tone of “Now, aunty” (line 37) is most accurately described as

89. Granny’s final comment can best be understood as a

90. The episode reveals a conflict between

91. The excerpt is best described as

92. In lines 1-7, which of the following devices is used to present nature, the boat, and the mountain echoes?

93. In lines 6-7, “the voice/Of mountain-echoes” serves to reinforce the speaker’s sense of

94. At the conclusion of the excerpt, the “huge peak” (line 22) seems to represent which of the following for the speaker?

95. Which of the following best describes the change in the outlook of the speaker during the course of this excerpt?

96. The dramatic situation in the poem is that of

97. In the context of the poem, “Painting thy outward walls so costly gay” (line 4) refers to

98. The poet signals a major shift at line 9 by changing from

99.The narrator of the passage can best be described as

100.In the passage, Threestep is mainly presented as a

101.It can reasonably be inferred from the passage that some of the people at the train station regard Miss Spivey’s comment about the Georgia heat with

102.Which choice provides the best evidence for the answer to the previous question?

103.Miss Spivey most likely uses the phrase “fruitful intermission” (line 26) to indicate that

104.The interaction between Miss Spivey and Ralphord serves mainly to

105.In the third paragraph, what is the narrator most likely suggesting by describing Miss Spivey as having “wandered” (line 40) in one situation and “marched” (line 49) in another situation?

106.According to the passage, Miss Spivey ended up in Threestep as a direct result of

107.In the passage, when Miss Spivey announces that she had seen camels, the students’ reaction suggests that they are

108.Which choice provides the best evidence for the answer to the previous question?

109.The main purpose of the passage is to

110.Which choice best supports the idea that the author assumes that, all things being equal, people would rather drive than take mass transit

111.As used in line 9, “backed up” most nearly means

112.In the first paragraph, the author concedes that his recommendations are

113.Based on the passage, how would the author most likely characterize many attempts to improve traffic?

114.Which choice provides the best evidence for the answer to the previous question

115.According to the passage, reducing commuting time for drivers can have which of the following effects

116.As used in line 72, “promotes” most nearly means

117.According to figure 1, how many vehicles traveled on the altered road through the Southampton city center per day before the route was altered?

118.Do the data in figure 1 support or weaken the argument of the author of the passage, and why?

119.Based on figure 2, the engineers surveyed were most skeptical of the idea that in the event of a reallocation of road space, drivers would change

120.Based on the passage, textbook authors in the early 1990s would most likely have expected which condition to result from the blocking of fast fibers?

121.Which choice provides the best evidence for the answer to the previous question?

122.As used in line 18, “active” most nearly means

123.As used in line 24, “capture” most nearly means

124.Which conclusion is best supported by the findings of Olausson’s 1993 experiment?

126.Which choice provides the best evidence for the answer to the previous question?

127.The sentence in lines 43-45 (“But . . . mystifying”) serves mainly to

128.It can reasonably be inferred that one of the intended goals of the 1999 experiment was to determine the

129.The main purpose of the sixth paragraph (lines 64-75) is to

130.According to the passage, G.L. differed from Olausson’s other test subjects in terms of the

131.According to the passage, humans experience an emotional aspect of touch when

132.In Passage 1, Beveridge asserts that the resources and immensity of the United States constitute a

133.In the second paragraph of Passage 1 (lines 26-41), the commands given by Beveridge mainly serve to

134.As used in line 72, “recalled” most nearly means

135.It can reasonably be inferred from Passage 2 that Bryan considers the preference for national sovereignty over foreign rule to be a

136.Which choice provides the best evidence for the answer to the previous question?

137.As used in line 85, “calculate” most nearly means

138.In developing their respective arguments, Beveridge (Passage 1) and Bryan (Passage 2) both express admiration for the

139.Which choice best describes a central difference between how Beveridge (Passage 1) and Bryan (Passage 2) view the concept of liberty as it is realized in the United States?

140.It can most reasonably be inferred from Passage 2 that Bryan would criticize the vision of American governance of island territories that Beveridge presents in Passage 1 for being

141. Which choice best describes what happens in the passage?

Akira came directly, breaking all tradition. Was that it? Had he followed form—had he asked his mother to speak to his father to approach a go-between—would Chie have been more receptive?

  1. He came on a winter’s eve. He pounded on the door while a cold rain beat on the shuttered veranda, so at first Chie thought him only the wind. The maid knew better. Chie heard her soft scuttling footsteps, the creak of the door. Then the maid brought a
  2. calling card to the drawing room, for Chie. Chie was reluctant to go to her guest; perhaps she was feeling too cozy. She and Naomi were reading at a low table set atop a charcoal brazier. A thick quilt spread over the sides of the table so their legs were
  3. tucked inside with the heat. “Who is it at this hour, in this weather?” Chie questioned as she picked the name card off the maid’s lacquer tray. “Shinoda, Akira. Kobe Dental College,” she read.
  4. Naomi recognized the name. Chie heard a soft intake of air. “I think you should go,” said Naomi.

Akira was waiting in the entry. He was in his early twenties, slim and serious, wearing the black

  1. military-style uniform of a student. As he bowed—his hands hanging straight down, a black cap in one, a yellow oil-paper umbrella in the other—Chie glanced beyond him. In the glistening surface of the courtyard’s rain-drenched paving
  2. stones, she saw his reflection like a dark double. “Madame,” said Akira, “forgive my disruption, but I come with a matter of urgency.” His voice was soft, refined. He straightened and stole a deferential peek at her face.
  3. In the dim light his eyes shone with sincerity. Chie felt herself starting to like him. “Come inside, get out of this nasty night. Surely your business can wait for a moment or two.” “I don’t want to trouble you. Normally I would
  4. approach you more properly but I’ve received word of a position. I’ve an opportunity to go to America, as dentist for Seattle’s Japanese community.” “Congratulations,” Chie said with amusement. “That is an opportunity, I’m sure. But how am I
  5. involved?” Even noting Naomi’s breathless reaction to the name card, Chie had no idea. Akira’s message, delivered like a formal speech, filled her with maternal amusement. You know how children speak
  6. so earnestly, so hurriedly, so endearingly about things that have no importance in an adult’s mind? That’s how she viewed him, as a child.

It was how she viewed Naomi. Even though Naomi was eighteen and training endlessly in the arts

  1. needed to make a good marriage, Chie had made no effort to find her a husband. Akira blushed. “Depending on your response, I may stay in Japan. I’ve come to ask for Naomi’s hand.”
  2. Suddenly Chie felt the dampness of the night. “Does Naomi know anything of your... ambitions?” “We have an understanding. Please don’t judge my candidacy by the unseemliness of this proposal. I
  3. ask directly because the use of a go-between takes much time. Either method comes down to the same thing: a matter of parental approval. If you give your consent, I become Naomi’s yoshi.* We’ll live in the House of Fuji. Without your consent, I must go to
  4. America, to secure a new home for my bride.” Eager to make his point, he’d been looking her full in the face. Abruptly, his voice turned gentle. “I see I’ve startled you. My humble apologies. I’ll take no more of your evening. My address is on my card. If
  5. you don’t wish to contact me, I’ll reapproach you in two weeks’ time. Until then, good night.” He bowed and left. Taking her ease, with effortless grace, like a cat making off with a fish. “Mother?” Chie heard Naomi’s low voice and
  6. turned from the door. “He has asked you?” The sight of Naomi’s clear eyes, her dark brows gave Chie strength. Maybe his hopes were preposterous. “Where did you meet such a fellow? Imagine! He 85. thinks he can marry the Fuji heir and take her to America all in the snap of his fingers!” Chie waited for Naomi’s ripe laughter. Naomi was silent. She stood a full half minute looking straight into Chie’s eyes. Finally, she spoke. “
  7. I met him at my literary meeting.” Naomi turned to go back into the house, then stopped. “Mother.” “Yes?”
  8. “I mean to have him.”

142. Which choice best describes the developmental pattern of the passage?

Akira came directly, breaking all tradition. Was that it? Had he followed form—had he asked his mother to speak to his father to approach a go-between—would Chie have been more receptive?

  1. He came on a winter’s eve. He pounded on the door while a cold rain beat on the shuttered veranda, so at first Chie thought him only the wind. The maid knew better. Chie heard her soft scuttling footsteps, the creak of the door. Then the maid brought a
  2. calling card to the drawing room, for Chie. Chie was reluctant to go to her guest; perhaps she was feeling too cozy. She and Naomi were reading at a low table set atop a charcoal brazier. A thick quilt spread over the sides of the table so their legs were
  3. tucked inside with the heat. “Who is it at this hour, in this weather?” Chie questioned as she picked the name card off the maid’s lacquer tray. “Shinoda, Akira. Kobe Dental College,” she read.
  4. Naomi recognized the name. Chie heard a soft intake of air. “I think you should go,” said Naomi.

Akira was waiting in the entry. He was in his early twenties, slim and serious, wearing the black

  1. military-style uniform of a student. As he bowed—his hands hanging straight down, a black cap in one, a yellow oil-paper umbrella in the other—Chie glanced beyond him. In the glistening surface of the courtyard’s rain-drenched paving
  2. stones, she saw his reflection like a dark double. “Madame,” said Akira, “forgive my disruption, but I come with a matter of urgency.” His voice was soft, refined. He straightened and stole a deferential peek at her face.
  3. In the dim light his eyes shone with sincerity. Chie felt herself starting to like him. “Come inside, get out of this nasty night. Surely your business can wait for a moment or two.” “I don’t want to trouble you. Normally I would
  4. approach you more properly but I’ve received word of a position. I’ve an opportunity to go to America, as dentist for Seattle’s Japanese community.” “Congratulations,” Chie said with amusement. “That is an opportunity, I’m sure. But how am I
  5. involved?” Even noting Naomi’s breathless reaction to the name card, Chie had no idea. Akira’s message, delivered like a formal speech, filled her with maternal amusement. You know how children speak
  6. so earnestly, so hurriedly, so endearingly about things that have no importance in an adult’s mind? That’s how she viewed him, as a child.

It was how she viewed Naomi. Even though Naomi was eighteen and training endlessly in the arts

  1. needed to make a good marriage, Chie had made no effort to find her a husband. Akira blushed. “Depending on your response, I may stay in Japan. I’ve come to ask for Naomi’s hand.”
  2. Suddenly Chie felt the dampness of the night. “Does Naomi know anything of your... ambitions?” “We have an understanding. Please don’t judge my candidacy by the unseemliness of this proposal. I
  3. ask directly because the use of a go-between takes much time. Either method comes down to the same thing: a matter of parental approval. If you give your consent, I become Naomi’s yoshi.* We’ll live in the House of Fuji. Without your consent, I must go to
  4. America, to secure a new home for my bride.” Eager to make his point, he’d been looking her full in the face. Abruptly, his voice turned gentle. “I see I’ve startled you. My humble apologies. I’ll take no more of your evening. My address is on my card. If
  5. you don’t wish to contact me, I’ll reapproach you in two weeks’ time. Until then, good night.” He bowed and left. Taking her ease, with effortless grace, like a cat making off with a fish. “Mother?” Chie heard Naomi’s low voice and
  6. turned from the door. “He has asked you?” The sight of Naomi’s clear eyes, her dark brows gave Chie strength. Maybe his hopes were preposterous. “Where did you meet such a fellow? Imagine! He 85. thinks he can marry the Fuji heir and take her to America all in the snap of his fingers!” Chie waited for Naomi’s ripe laughter. Naomi was silent. She stood a full half minute looking straight into Chie’s eyes. Finally, she spoke. “
  7. I met him at my literary meeting.” Naomi turned to go back into the house, then stopped. “Mother.” “Yes?”
  8. “I mean to have him.”

143. As used in line 1 and line 65, “directly” most nearly means

Akira came directly, breaking all tradition. Was that it? Had he followed form—had he asked his mother to speak to his father to approach a go-between—would Chie have been more receptive?

  1. He came on a winter’s eve. He pounded on the door while a cold rain beat on the shuttered veranda, so at first Chie thought him only the wind. The maid knew better. Chie heard her soft scuttling footsteps, the creak of the door. Then the maid brought a
  2. calling card to the drawing room, for Chie. Chie was reluctant to go to her guest; perhaps she was feeling too cozy. She and Naomi were reading at a low table set atop a charcoal brazier. A thick quilt spread over the sides of the table so their legs were
  3. tucked inside with the heat. “Who is it at this hour, in this weather?” Chie questioned as she picked the name card off the maid’s lacquer tray. “Shinoda, Akira. Kobe Dental College,” she read.
  4. Naomi recognized the name. Chie heard a soft intake of air. “I think you should go,” said Naomi.

Akira was waiting in the entry. He was in his early twenties, slim and serious, wearing the black

  1. military-style uniform of a student. As he bowed—his hands hanging straight down, a black cap in one, a yellow oil-paper umbrella in the other—Chie glanced beyond him. In the glistening surface of the courtyard’s rain-drenched paving
  2. stones, she saw his reflection like a dark double. “Madame,” said Akira, “forgive my disruption, but I come with a matter of urgency.” His voice was soft, refined. He straightened and stole a deferential peek at her face.
  3. In the dim light his eyes shone with sincerity. Chie felt herself starting to like him. “Come inside, get out of this nasty night. Surely your business can wait for a moment or two.” “I don’t want to trouble you. Normally I would
  4. approach you more properly but I’ve received word of a position. I’ve an opportunity to go to America, as dentist for Seattle’s Japanese community.” “Congratulations,” Chie said with amusement. “That is an opportunity, I’m sure. But how am I
  5. involved?” Even noting Naomi’s breathless reaction to the name card, Chie had no idea. Akira’s message, delivered like a formal speech, filled her with maternal amusement. You know how children speak
  6. so earnestly, so hurriedly, so endearingly about things that have no importance in an adult’s mind? That’s how she viewed him, as a child.

It was how she viewed Naomi. Even though Naomi was eighteen and training endlessly in the arts

  1. needed to make a good marriage, Chie had made no effort to find her a husband. Akira blushed. “Depending on your response, I may stay in Japan. I’ve come to ask for Naomi’s hand.”
  2. Suddenly Chie felt the dampness of the night. “Does Naomi know anything of your... ambitions?” “We have an understanding. Please don’t judge my candidacy by the unseemliness of this proposal. I
  3. ask directly because the use of a go-between takes much time. Either method comes down to the same thing: a matter of parental approval. If you give your consent, I become Naomi’s yoshi.* We’ll live in the House of Fuji. Without your consent, I must go to
  4. America, to secure a new home for my bride.” Eager to make his point, he’d been looking her full in the face. Abruptly, his voice turned gentle. “I see I’ve startled you. My humble apologies. I’ll take no more of your evening. My address is on my card. If
  5. you don’t wish to contact me, I’ll reapproach you in two weeks’ time. Until then, good night.” He bowed and left. Taking her ease, with effortless grace, like a cat making off with a fish. “Mother?” Chie heard Naomi’s low voice and
  6. turned from the door. “He has asked you?” The sight of Naomi’s clear eyes, her dark brows gave Chie strength. Maybe his hopes were preposterous. “Where did you meet such a fellow? Imagine! He 85. thinks he can marry the Fuji heir and take her to America all in the snap of his fingers!” Chie waited for Naomi’s ripe laughter. Naomi was silent. She stood a full half minute looking straight into Chie’s eyes. Finally, she spoke. “
  7. I met him at my literary meeting.” Naomi turned to go back into the house, then stopped. “Mother.” “Yes?”
  8. “I mean to have him.”

144. Which reaction does Akira most fear from Chie?

Akira came directly, breaking all tradition. Was that it? Had he followed form—had he asked his mother to speak to his father to approach a go-between—would Chie have been more receptive?

  1. He came on a winter’s eve. He pounded on the door while a cold rain beat on the shuttered veranda, so at first Chie thought him only the wind. The maid knew better. Chie heard her soft scuttling footsteps, the creak of the door. Then the maid brought a
  2. calling card to the drawing room, for Chie. Chie was reluctant to go to her guest; perhaps she was feeling too cozy. She and Naomi were reading at a low table set atop a charcoal brazier. A thick quilt spread over the sides of the table so their legs were
  3. tucked inside with the heat. “Who is it at this hour, in this weather?” Chie questioned as she picked the name card off the maid’s lacquer tray. “Shinoda, Akira. Kobe Dental College,” she read.
  4. Naomi recognized the name. Chie heard a soft intake of air. “I think you should go,” said Naomi.

Akira was waiting in the entry. He was in his early twenties, slim and serious, wearing the black

  1. military-style uniform of a student. As he bowed—his hands hanging straight down, a black cap in one, a yellow oil-paper umbrella in the other—Chie glanced beyond him. In the glistening surface of the courtyard’s rain-drenched paving
  2. stones, she saw his reflection like a dark double. “Madame,” said Akira, “forgive my disruption, but I come with a matter of urgency.” His voice was soft, refined. He straightened and stole a deferential peek at her face.
  3. In the dim light his eyes shone with sincerity. Chie felt herself starting to like him. “Come inside, get out of this nasty night. Surely your business can wait for a moment or two.” “I don’t want to trouble you. Normally I would
  4. approach you more properly but I’ve received word of a position. I’ve an opportunity to go to America, as dentist for Seattle’s Japanese community.” “Congratulations,” Chie said with amusement. “That is an opportunity, I’m sure. But how am I
  5. involved?” Even noting Naomi’s breathless reaction to the name card, Chie had no idea. Akira’s message, delivered like a formal speech, filled her with maternal amusement. You know how children speak
  6. so earnestly, so hurriedly, so endearingly about things that have no importance in an adult’s mind? That’s how she viewed him, as a child.

It was how she viewed Naomi. Even though Naomi was eighteen and training endlessly in the arts

  1. needed to make a good marriage, Chie had made no effort to find her a husband. Akira blushed. “Depending on your response, I may stay in Japan. I’ve come to ask for Naomi’s hand.”
  2. Suddenly Chie felt the dampness of the night. “Does Naomi know anything of your... ambitions?” “We have an understanding. Please don’t judge my candidacy by the unseemliness of this proposal. I
  3. ask directly because the use of a go-between takes much time. Either method comes down to the same thing: a matter of parental approval. If you give your consent, I become Naomi’s yoshi.* We’ll live in the House of Fuji. Without your consent, I must go to
  4. America, to secure a new home for my bride.” Eager to make his point, he’d been looking her full in the face. Abruptly, his voice turned gentle. “I see I’ve startled you. My humble apologies. I’ll take no more of your evening. My address is on my card. If
  5. you don’t wish to contact me, I’ll reapproach you in two weeks’ time. Until then, good night.” He bowed and left. Taking her ease, with effortless grace, like a cat making off with a fish. “Mother?” Chie heard Naomi’s low voice and
  6. turned from the door. “He has asked you?” The sight of Naomi’s clear eyes, her dark brows gave Chie strength. Maybe his hopes were preposterous. “Where did you meet such a fellow? Imagine! He 85. thinks he can marry the Fuji heir and take her to America all in the snap of his fingers!” Chie waited for Naomi’s ripe laughter. Naomi was silent. She stood a full half minute looking straight into Chie’s eyes. Finally, she spoke. “
  7. I met him at my literary meeting.” Naomi turned to go back into the house, then stopped. “Mother.” “Yes?”
  8. “I mean to have him.”

145. Which choice provides the best evidence for the answer to the previous question?

Akira came directly, breaking all tradition. Was that it? Had he followed form—had he asked his mother to speak to his father to approach a go-between—would Chie have been more receptive?

  1. He came on a winter’s eve. He pounded on the door while a cold rain beat on the shuttered veranda, so at first Chie thought him only the wind. The maid knew better. Chie heard her soft scuttling footsteps, the creak of the door. Then the maid brought a
  2. calling card to the drawing room, for Chie. Chie was reluctant to go to her guest; perhaps she was feeling too cozy. She and Naomi were reading at a low table set atop a charcoal brazier. A thick quilt spread over the sides of the table so their legs were
  3. tucked inside with the heat. “Who is it at this hour, in this weather?” Chie questioned as she picked the name card off the maid’s lacquer tray. “Shinoda, Akira. Kobe Dental College,” she read.
  4. Naomi recognized the name. Chie heard a soft intake of air. “I think you should go,” said Naomi.

Akira was waiting in the entry. He was in his early twenties, slim and serious, wearing the black

  1. military-style uniform of a student. As he bowed—his hands hanging straight down, a black cap in one, a yellow oil-paper umbrella in the other—Chie glanced beyond him. In the glistening surface of the courtyard’s rain-drenched paving
  2. stones, she saw his reflection like a dark double. “Madame,” said Akira, “forgive my disruption, but I come with a matter of urgency.” His voice was soft, refined. He straightened and stole a deferential peek at her face.
  3. In the dim light his eyes shone with sincerity. Chie felt herself starting to like him. “Come inside, get out of this nasty night. Surely your business can wait for a moment or two.” “I don’t want to trouble you. Normally I would
  4. approach you more properly but I’ve received word of a position. I’ve an opportunity to go to America, as dentist for Seattle’s Japanese community.” “Congratulations,” Chie said with amusement. “That is an opportunity, I’m sure. But how am I
  5. involved?” Even noting Naomi’s breathless reaction to the name card, Chie had no idea. Akira’s message, delivered like a formal speech, filled her with maternal amusement. You know how children speak
  6. so earnestly, so hurriedly, so endearingly about things that have no importance in an adult’s mind? That’s how she viewed him, as a child.

It was how she viewed Naomi. Even though Naomi was eighteen and training endlessly in the arts

  1. needed to make a good marriage, Chie had made no effort to find her a husband. Akira blushed. “Depending on your response, I may stay in Japan. I’ve come to ask for Naomi’s hand.”
  2. Suddenly Chie felt the dampness of the night. “Does Naomi know anything of your... ambitions?” “We have an understanding. Please don’t judge my candidacy by the unseemliness of this proposal. I
  3. ask directly because the use of a go-between takes much time. Either method comes down to the same thing: a matter of parental approval. If you give your consent, I become Naomi’s yoshi.* We’ll live in the House of Fuji. Without your consent, I must go to
  4. America, to secure a new home for my bride.” Eager to make his point, he’d been looking her full in the face. Abruptly, his voice turned gentle. “I see I’ve startled you. My humble apologies. I’ll take no more of your evening. My address is on my card. If
  5. you don’t wish to contact me, I’ll reapproach you in two weeks’ time. Until then, good night.” He bowed and left. Taking her ease, with effortless grace, like a cat making off with a fish. “Mother?” Chie heard Naomi’s low voice and
  6. turned from the door. “He has asked you?” The sight of Naomi’s clear eyes, her dark brows gave Chie strength. Maybe his hopes were preposterous. “Where did you meet such a fellow? Imagine! He 85. thinks he can marry the Fuji heir and take her to America all in the snap of his fingers!” Chie waited for Naomi’s ripe laughter. Naomi was silent. She stood a full half minute looking straight into Chie’s eyes. Finally, she spoke. “
  7. I met him at my literary meeting.” Naomi turned to go back into the house, then stopped. “Mother.” “Yes?”
  8. “I mean to have him.”

146. In the passage, Akira addresses Chie with

Akira came directly, breaking all tradition. Was that it? Had he followed form—had he asked his mother to speak to his father to approach a go-between—would Chie have been more receptive?

  1. He came on a winter’s eve. He pounded on the door while a cold rain beat on the shuttered veranda, so at first Chie thought him only the wind. The maid knew better. Chie heard her soft scuttling footsteps, the creak of the door. Then the maid brought a
  2. calling card to the drawing room, for Chie. Chie was reluctant to go to her guest; perhaps she was feeling too cozy. She and Naomi were reading at a low table set atop a charcoal brazier. A thick quilt spread over the sides of the table so their legs were
  3. tucked inside with the heat. “Who is it at this hour, in this weather?” Chie questioned as she picked the name card off the maid’s lacquer tray. “Shinoda, Akira. Kobe Dental College,” she read.
  4. Naomi recognized the name. Chie heard a soft intake of air. “I think you should go,” said Naomi.

Akira was waiting in the entry. He was in his early twenties, slim and serious, wearing the black

  1. military-style uniform of a student. As he bowed—his hands hanging straight down, a black cap in one, a yellow oil-paper umbrella in the other—Chie glanced beyond him. In the glistening surface of the courtyard’s rain-drenched paving
  2. stones, she saw his reflection like a dark double. “Madame,” said Akira, “forgive my disruption, but I come with a matter of urgency.” His voice was soft, refined. He straightened and stole a deferential peek at her face.
  3. In the dim light his eyes shone with sincerity. Chie felt herself starting to like him. “Come inside, get out of this nasty night. Surely your business can wait for a moment or two.” “I don’t want to trouble you. Normally I would
  4. approach you more properly but I’ve received word of a position. I’ve an opportunity to go to America, as dentist for Seattle’s Japanese community.” “Congratulations,” Chie said with amusement. “That is an opportunity, I’m sure. But how am I
  5. involved?” Even noting Naomi’s breathless reaction to the name card, Chie had no idea. Akira’s message, delivered like a formal speech, filled her with maternal amusement. You know how children speak
  6. so earnestly, so hurriedly, so endearingly about things that have no importance in an adult’s mind? That’s how she viewed him, as a child.

It was how she viewed Naomi. Even though Naomi was eighteen and training endlessly in the arts

  1. needed to make a good marriage, Chie had made no effort to find her a husband. Akira blushed. “Depending on your response, I may stay in Japan. I’ve come to ask for Naomi’s hand.”
  2. Suddenly Chie felt the dampness of the night. “Does Naomi know anything of your... ambitions?” “We have an understanding. Please don’t judge my candidacy by the unseemliness of this proposal. I
  3. ask directly because the use of a go-between takes much time. Either method comes down to the same thing: a matter of parental approval. If you give your consent, I become Naomi’s yoshi.* We’ll live in the House of Fuji. Without your consent, I must go to
  4. America, to secure a new home for my bride.” Eager to make his point, he’d been looking her full in the face. Abruptly, his voice turned gentle. “I see I’ve startled you. My humble apologies. I’ll take no more of your evening. My address is on my card. If
  5. you don’t wish to contact me, I’ll reapproach you in two weeks’ time. Until then, good night.” He bowed and left. Taking her ease, with effortless grace, like a cat making off with a fish. “Mother?” Chie heard Naomi’s low voice and
  6. turned from the door. “He has asked you?” The sight of Naomi’s clear eyes, her dark brows gave Chie strength. Maybe his hopes were preposterous. “Where did you meet such a fellow? Imagine! He 85. thinks he can marry the Fuji heir and take her to America all in the snap of his fingers!” Chie waited for Naomi’s ripe laughter. Naomi was silent. She stood a full half minute looking straight into Chie’s eyes. Finally, she spoke. “
  7. I met him at my literary meeting.” Naomi turned to go back into the house, then stopped. “Mother.” “Yes?”
  8. “I mean to have him.”

147. The main purpose of the first paragraph is to

Akira came directly, breaking all tradition. Was that it? Had he followed form—had he asked his mother to speak to his father to approach a go-between—would Chie have been more receptive?

  1. He came on a winter’s eve. He pounded on the door while a cold rain beat on the shuttered veranda, so at first Chie thought him only the wind. The maid knew better. Chie heard her soft scuttling footsteps, the creak of the door. Then the maid brought a
  2. calling card to the drawing room, for Chie. Chie was reluctant to go to her guest; perhaps she was feeling too cozy. She and Naomi were reading at a low table set atop a charcoal brazier. A thick quilt spread over the sides of the table so their legs were
  3. tucked inside with the heat. “Who is it at this hour, in this weather?” Chie questioned as she picked the name card off the maid’s lacquer tray. “Shinoda, Akira. Kobe Dental College,” she read.
  4. Naomi recognized the name. Chie heard a soft intake of air. “I think you should go,” said Naomi.

Akira was waiting in the entry. He was in his early twenties, slim and serious, wearing the black

  1. military-style uniform of a student. As he bowed—his hands hanging straight down, a black cap in one, a yellow oil-paper umbrella in the other—Chie glanced beyond him. In the glistening surface of the courtyard’s rain-drenched paving
  2. stones, she saw his reflection like a dark double. “Madame,” said Akira, “forgive my disruption, but I come with a matter of urgency.” His voice was soft, refined. He straightened and stole a deferential peek at her face.
  3. In the dim light his eyes shone with sincerity. Chie felt herself starting to like him. “Come inside, get out of this nasty night. Surely your business can wait for a moment or two.” “I don’t want to trouble you. Normally I would
  4. approach you more properly but I’ve received word of a position. I’ve an opportunity to go to America, as dentist for Seattle’s Japanese community.” “Congratulations,” Chie said with amusement. “That is an opportunity, I’m sure. But how am I
  5. involved?” Even noting Naomi’s breathless reaction to the name card, Chie had no idea. Akira’s message, delivered like a formal speech, filled her with maternal amusement. You know how children speak
  6. so earnestly, so hurriedly, so endearingly about things that have no importance in an adult’s mind? That’s how she viewed him, as a child.

It was how she viewed Naomi. Even though Naomi was eighteen and training endlessly in the arts

  1. needed to make a good marriage, Chie had made no effort to find her a husband. Akira blushed. “Depending on your response, I may stay in Japan. I’ve come to ask for Naomi’s hand.”
  2. Suddenly Chie felt the dampness of the night. “Does Naomi know anything of your... ambitions?” “We have an understanding. Please don’t judge my candidacy by the unseemliness of this proposal. I
  3. ask directly because the use of a go-between takes much time. Either method comes down to the same thing: a matter of parental approval. If you give your consent, I become Naomi’s yoshi.* We’ll live in the House of Fuji. Without your consent, I must go to
  4. America, to secure a new home for my bride.” Eager to make his point, he’d been looking her full in the face. Abruptly, his voice turned gentle. “I see I’ve startled you. My humble apologies. I’ll take no more of your evening. My address is on my card. If
  5. you don’t wish to contact me, I’ll reapproach you in two weeks’ time. Until then, good night.” He bowed and left. Taking her ease, with effortless grace, like a cat making off with a fish. “Mother?” Chie heard Naomi’s low voice and
  6. turned from the door. “He has asked you?” The sight of Naomi’s clear eyes, her dark brows gave Chie strength. Maybe his hopes were preposterous. “Where did you meet such a fellow? Imagine! He 85. thinks he can marry the Fuji heir and take her to America all in the snap of his fingers!” Chie waited for Naomi’s ripe laughter. Naomi was silent. She stood a full half minute looking straight into Chie’s eyes. Finally, she spoke. “
  7. I met him at my literary meeting.” Naomi turned to go back into the house, then stopped. “Mother.” “Yes?”
  8. “I mean to have him.”

148. As used in line 2, “form” most nearly means

Akira came directly, breaking all tradition. Was that it? Had he followed form—had he asked his mother to speak to his father to approach a go-between—would Chie have been more receptive?

  1. He came on a winter’s eve. He pounded on the door while a cold rain beat on the shuttered veranda, so at first Chie thought him only the wind. The maid knew better. Chie heard her soft scuttling footsteps, the creak of the door. Then the maid brought a
  2. calling card to the drawing room, for Chie. Chie was reluctant to go to her guest; perhaps she was feeling too cozy. She and Naomi were reading at a low table set atop a charcoal brazier. A thick quilt spread over the sides of the table so their legs were
  3. tucked inside with the heat. “Who is it at this hour, in this weather?” Chie questioned as she picked the name card off the maid’s lacquer tray. “Shinoda, Akira. Kobe Dental College,” she read.
  4. Naomi recognized the name. Chie heard a soft intake of air. “I think you should go,” said Naomi.

Akira was waiting in the entry. He was in his early twenties, slim and serious, wearing the black

  1. military-style uniform of a student. As he bowed—his hands hanging straight down, a black cap in one, a yellow oil-paper umbrella in the other—Chie glanced beyond him. In the glistening surface of the courtyard’s rain-drenched paving
  2. stones, she saw his reflection like a dark double. “Madame,” said Akira, “forgive my disruption, but I come with a matter of urgency.” His voice was soft, refined. He straightened and stole a deferential peek at her face.
  3. In the dim light his eyes shone with sincerity. Chie felt herself starting to like him. “Come inside, get out of this nasty night. Surely your business can wait for a moment or two.” “I don’t want to trouble you. Normally I would
  4. approach you more properly but I’ve received word of a position. I’ve an opportunity to go to America, as dentist for Seattle’s Japanese community.” “Congratulations,” Chie said with amusement. “That is an opportunity, I’m sure. But how am I
  5. involved?” Even noting Naomi’s breathless reaction to the name card, Chie had no idea. Akira’s message, delivered like a formal speech, filled her with maternal amusement. You know how children speak
  6. so earnestly, so hurriedly, so endearingly about things that have no importance in an adult’s mind? That’s how she viewed him, as a child.

It was how she viewed Naomi. Even though Naomi was eighteen and training endlessly in the arts

  1. needed to make a good marriage, Chie had made no effort to find her a husband. Akira blushed. “Depending on your response, I may stay in Japan. I’ve come to ask for Naomi’s hand.”
  2. Suddenly Chie felt the dampness of the night. “Does Naomi know anything of your... ambitions?” “We have an understanding. Please don’t judge my candidacy by the unseemliness of this proposal. I
  3. ask directly because the use of a go-between takes much time. Either method comes down to the same thing: a matter of parental approval. If you give your consent, I become Naomi’s yoshi.* We’ll live in the House of Fuji. Without your consent, I must go to
  4. America, to secure a new home for my bride.” Eager to make his point, he’d been looking her full in the face. Abruptly, his voice turned gentle. “I see I’ve startled you. My humble apologies. I’ll take no more of your evening. My address is on my card. If
  5. you don’t wish to contact me, I’ll reapproach you in two weeks’ time. Until then, good night.” He bowed and left. Taking her ease, with effortless grace, like a cat making off with a fish. “Mother?” Chie heard Naomi’s low voice and
  6. turned from the door. “He has asked you?” The sight of Naomi’s clear eyes, her dark brows gave Chie strength. Maybe his hopes were preposterous. “Where did you meet such a fellow? Imagine! He 85. thinks he can marry the Fuji heir and take her to America all in the snap of his fingers!” Chie waited for Naomi’s ripe laughter. Naomi was silent. She stood a full half minute looking straight into Chie’s eyes. Finally, she spoke. “
  7. I met him at my literary meeting.” Naomi turned to go back into the house, then stopped. “Mother.” “Yes?”
  8. “I mean to have him.”

149. Why does Akira say his meeting with Chie is “a matter of urgency” (line 32)?

Akira came directly, breaking all tradition. Was that it? Had he followed form—had he asked his mother to speak to his father to approach a go-between—would Chie have been more receptive?

  1. He came on a winter’s eve. He pounded on the door while a cold rain beat on the shuttered veranda, so at first Chie thought him only the wind. The maid knew better. Chie heard her soft scuttling footsteps, the creak of the door. Then the maid brought a
  2. calling card to the drawing room, for Chie. Chie was reluctant to go to her guest; perhaps she was feeling too cozy. She and Naomi were reading at a low table set atop a charcoal brazier. A thick quilt spread over the sides of the table so their legs were
  3. tucked inside with the heat. “Who is it at this hour, in this weather?” Chie questioned as she picked the name card off the maid’s lacquer tray. “Shinoda, Akira. Kobe Dental College,” she read.
  4. Naomi recognized the name. Chie heard a soft intake of air. “I think you should go,” said Naomi.

Akira was waiting in the entry. He was in his early twenties, slim and serious, wearing the black

  1. military-style uniform of a student. As he bowed—his hands hanging straight down, a black cap in one, a yellow oil-paper umbrella in the other—Chie glanced beyond him. In the glistening surface of the courtyard’s rain-drenched paving
  2. stones, she saw his reflection like a dark double. “Madame,” said Akira, “forgive my disruption, but I come with a matter of urgency.” His voice was soft, refined. He straightened and stole a deferential peek at her face.
  3. In the dim light his eyes shone with sincerity. Chie felt herself starting to like him. “Come inside, get out of this nasty night. Surely your business can wait for a moment or two.” “I don’t want to trouble you. Normally I would
  4. approach you more properly but I’ve received word of a position. I’ve an opportunity to go to America, as dentist for Seattle’s Japanese community.” “Congratulations,” Chie said with amusement. “That is an opportunity, I’m sure. But how am I
  5. involved?” Even noting Naomi’s breathless reaction to the name card, Chie had no idea. Akira’s message, delivered like a formal speech, filled her with maternal amusement. You know how children speak
  6. so earnestly, so hurriedly, so endearingly about things that have no importance in an adult’s mind? That’s how she viewed him, as a child.

It was how she viewed Naomi. Even though Naomi was eighteen and training endlessly in the arts

  1. needed to make a good marriage, Chie had made no effort to find her a husband. Akira blushed. “Depending on your response, I may stay in Japan. I’ve come to ask for Naomi’s hand.”
  2. Suddenly Chie felt the dampness of the night. “Does Naomi know anything of your... ambitions?” “We have an understanding. Please don’t judge my candidacy by the unseemliness of this proposal. I
  3. ask directly because the use of a go-between takes much time. Either method comes down to the same thing: a matter of parental approval. If you give your consent, I become Naomi’s yoshi.* We’ll live in the House of Fuji. Without your consent, I must go to
  4. America, to secure a new home for my bride.” Eager to make his point, he’d been looking her full in the face. Abruptly, his voice turned gentle. “I see I’ve startled you. My humble apologies. I’ll take no more of your evening. My address is on my card. If
  5. you don’t wish to contact me, I’ll reapproach you in two weeks’ time. Until then, good night.” He bowed and left. Taking her ease, with effortless grace, like a cat making off with a fish. “Mother?” Chie heard Naomi’s low voice and
  6. turned from the door. “He has asked you?” The sight of Naomi’s clear eyes, her dark brows gave Chie strength. Maybe his hopes were preposterous. “Where did you meet such a fellow? Imagine! He 85. thinks he can marry the Fuji heir and take her to America all in the snap of his fingers!” Chie waited for Naomi’s ripe laughter. Naomi was silent. She stood a full half minute looking straight into Chie’s eyes. Finally, she spoke. “
  7. I met him at my literary meeting.” Naomi turned to go back into the house, then stopped. “Mother.” “Yes?”
  8. “I mean to have him.”

150. Which choice provides the best evidence for the answer to the previous question

Akira came directly, breaking all tradition. Was that it? Had he followed form—had he asked his mother to speak to his father to approach a go-between—would Chie have been more receptive?

  1. He came on a winter’s eve. He pounded on the door while a cold rain beat on the shuttered veranda, so at first Chie thought him only the wind. The maid knew better. Chie heard her soft scuttling footsteps, the creak of the door. Then the maid brought a
  2. calling card to the drawing room, for Chie. Chie was reluctant to go to her guest; perhaps she was feeling too cozy. She and Naomi were reading at a low table set atop a charcoal brazier. A thick quilt spread over the sides of the table so their legs were
  3. tucked inside with the heat. “Who is it at this hour, in this weather?” Chie questioned as she picked the name card off the maid’s lacquer tray. “Shinoda, Akira. Kobe Dental College,” she read.
  4. Naomi recognized the name. Chie heard a soft intake of air. “I think you should go,” said Naomi.

Akira was waiting in the entry. He was in his early twenties, slim and serious, wearing the black

  1. military-style uniform of a student. As he bowed—his hands hanging straight down, a black cap in one, a yellow oil-paper umbrella in the other—Chie glanced beyond him. In the glistening surface of the courtyard’s rain-drenched paving
  2. stones, she saw his reflection like a dark double. “Madame,” said Akira, “forgive my disruption, but I come with a matter of urgency.” His voice was soft, refined. He straightened and stole a deferential peek at her face.
  3. In the dim light his eyes shone with sincerity. Chie felt herself starting to like him. “Come inside, get out of this nasty night. Surely your business can wait for a moment or two.” “I don’t want to trouble you. Normally I would
  4. approach you more properly but I’ve received word of a position. I’ve an opportunity to go to America, as dentist for Seattle’s Japanese community.” “Congratulations,” Chie said with amusement. “That is an opportunity, I’m sure. But how am I
  5. involved?” Even noting Naomi’s breathless reaction to the name card, Chie had no idea. Akira’s message, delivered like a formal speech, filled her with maternal amusement. You know how children speak
  6. so earnestly, so hurriedly, so endearingly about things that have no importance in an adult’s mind? That’s how she viewed him, as a child.

It was how she viewed Naomi. Even though Naomi was eighteen and training endlessly in the arts

  1. needed to make a good marriage, Chie had made no effort to find her a husband. Akira blushed. “Depending on your response, I may stay in Japan. I’ve come to ask for Naomi’s hand.”
  2. Suddenly Chie felt the dampness of the night. “Does Naomi know anything of your... ambitions?” “We have an understanding. Please don’t judge my candidacy by the unseemliness of this proposal. I
  3. ask directly because the use of a go-between takes much time. Either method comes down to the same thing: a matter of parental approval. If you give your consent, I become Naomi’s yoshi.* We’ll live in the House of Fuji. Without your consent, I must go to
  4. America, to secure a new home for my bride.” Eager to make his point, he’d been looking her full in the face. Abruptly, his voice turned gentle. “I see I’ve startled you. My humble apologies. I’ll take no more of your evening. My address is on my card. If
  5. you don’t wish to contact me, I’ll reapproach you in two weeks’ time. Until then, good night.” He bowed and left. Taking her ease, with effortless grace, like a cat making off with a fish. “Mother?” Chie heard Naomi’s low voice and
  6. turned from the door. “He has asked you?” The sight of Naomi’s clear eyes, her dark brows gave Chie strength. Maybe his hopes were preposterous. “Where did you meet such a fellow? Imagine! He 85. thinks he can marry the Fuji heir and take her to America all in the snap of his fingers!” Chie waited for Naomi’s ripe laughter. Naomi was silent. She stood a full half minute looking straight into Chie’s eyes. Finally, she spoke. “
  7. I met him at my literary meeting.” Naomi turned to go back into the house, then stopped. “Mother.” “Yes?”
  8. “I mean to have him.”

151. The main purpose of the passage is to

Close at hand is a bridge over the River Thames, an admirable vantage ground for us to make a survey. The river flows beneath; barges pass, laden

Line  with timber, bursting with corn; there on one side are

5  the domes and spires of the city; on the other, Westminster and the Houses of Parliament. It is a place to stand on by the hour, dreaming. But not now. Now we are pressed for time. Now we are here to consider facts; now we must fix our eyes upon the

10  procession—the procession of the sons of educated men.

There they go, our brothers who have been educated at public schools and universities, mounting those steps, passing in and out of those

15  doors, ascending those pulpits, preaching, teaching, administering justice, practising medicine, transacting business, making money. It is a solemn sight always—a procession, like a caravanserai crossing a desert.... But now, for the past twenty

20  years or so, it is no longer a sight merely, a photograph, or fresco scrawled upon the walls of time, at which we can look with merely an esthetic appreciation. For there, trapesing along at the tail end of the procession, we go ourselves. And that

25 makes a difference. We who have looked so long at the pageant in books, or from a curtained window watched educated men leaving the house at about nine-thirty to go to an office, returning to the house at about six-thirty from an office, need look passively

30  no longer. We too can leave the house, can mount those steps, pass in and out of those doors,... make money, administer justice.... We who now agitate these humble pens may in another century or two speak from a pulpit. Nobody will dare contradict us

35  then; we shall be the mouthpieces of the divine spirit—a solemn thought, is it not? Who can say whether, as time goes on, we may not dress in military uniform, with gold lace on our breasts, swords at our sides, and something like the old

40  family coal-scuttle on our heads, save that that venerable object was never decorated with plumes of white horsehair. You laugh—indeed the shadow of the private house still makes those dresses look a little queer. We have worn private clothes so

45  long.... But we have not come here to laugh, or to

talk of fashions—men’s and women’s. We are here, on the bridge, to ask ourselves certain questions.

And they are very important questions; and we have very little time in which to answer them. The

50  questions that we have to ask and to answer about that procession during this moment of transition are so important that they may well change the lives of all men and women for ever. For we have to ask ourselves, here and now, do we wish to join that

55  procession, or don’t we? On what terms shall we join that procession? Above all, where is it leading us, the procession of educated men? The moment is short; it may last five years; ten years, or perhaps only a matter of a few months longer.... But, you will

60  object, you have no time to think; you have your battles to fight, your rent to pay, your bazaars to organize. That excuse shall not serve you, Madam. As you know from your own experience, and there are facts that prove it, the daughters of educated men

65  have always done their thinking from hand to mouth; not under green lamps at study tables in the cloisters of secluded colleges. They have thought while they stirred the pot, while they rocked the cradle. It was thus that they won us the right to our

70  brand-new sixpence. It falls to us now to go on thinking; how are we to spend that sixpence? Think we must. Let us think in offices; in omnibuses; while we are standing in the crowd watching Coronations and Lord Mayor’s Shows; let us think... in the

75  gallery of the House of Commons; in the Law Courts; let us think at baptisms and marriages and funerals. Let us never cease from thinking—what is this “civilization” in which we find ourselves? What are these ceremonies and why should we take part in

80  them? What are these professions and why should we make money out of them? Where in short is it leading us, the procession of the sons of educated men?

 

152. The central claim of the passage is that

Close at hand is a bridge over the River Thames, an admirable vantage ground for us to make a survey. The river flows beneath; barges pass, laden

Line  with timber, bursting with corn; there on one side are

5  the domes and spires of the city; on the other, Westminster and the Houses of Parliament. It is a place to stand on by the hour, dreaming. But not now. Now we are pressed for time. Now we are here to consider facts; now we must fix our eyes upon the

10  procession—the procession of the sons of educated men.

There they go, our brothers who have been educated at public schools and universities, mounting those steps, passing in and out of those

15  doors, ascending those pulpits, preaching, teaching, administering justice, practising medicine, transacting business, making money. It is a solemn sight always—a procession, like a caravanserai crossing a desert.... But now, for the past twenty

20  years or so, it is no longer a sight merely, a photograph, or fresco scrawled upon the walls of time, at which we can look with merely an esthetic appreciation. For there, trapesing along at the tail end of the procession, we go ourselves. And that

25 makes a difference. We who have looked so long at the pageant in books, or from a curtained window watched educated men leaving the house at about nine-thirty to go to an office, returning to the house at about six-thirty from an office, need look passively

30  no longer. We too can leave the house, can mount those steps, pass in and out of those doors,... make money, administer justice.... We who now agitate these humble pens may in another century or two speak from a pulpit. Nobody will dare contradict us

35  then; we shall be the mouthpieces of the divine spirit—a solemn thought, is it not? Who can say whether, as time goes on, we may not dress in military uniform, with gold lace on our breasts, swords at our sides, and something like the old

40  family coal-scuttle on our heads, save that that venerable object was never decorated with plumes of white horsehair. You laugh—indeed the shadow of the private house still makes those dresses look a little queer. We have worn private clothes so

45  long.... But we have not come here to laugh, or to

talk of fashions—men’s and women’s. We are here, on the bridge, to ask ourselves certain questions.

And they are very important questions; and we have very little time in which to answer them. The

50  questions that we have to ask and to answer about that procession during this moment of transition are so important that they may well change the lives of all men and women for ever. For we have to ask ourselves, here and now, do we wish to join that

55  procession, or don’t we? On what terms shall we join that procession? Above all, where is it leading us, the procession of educated men? The moment is short; it may last five years; ten years, or perhaps only a matter of a few months longer.... But, you will

60  object, you have no time to think; you have your battles to fight, your rent to pay, your bazaars to organize. That excuse shall not serve you, Madam. As you know from your own experience, and there are facts that prove it, the daughters of educated men

65  have always done their thinking from hand to mouth; not under green lamps at study tables in the cloisters of secluded colleges. They have thought while they stirred the pot, while they rocked the cradle. It was thus that they won us the right to our

70  brand-new sixpence. It falls to us now to go on thinking; how are we to spend that sixpence? Think we must. Let us think in offices; in omnibuses; while we are standing in the crowd watching Coronations and Lord Mayor’s Shows; let us think... in the

75  gallery of the House of Commons; in the Law Courts; let us think at baptisms and marriages and funerals. Let us never cease from thinking—what is this “civilization” in which we find ourselves? What are these ceremonies and why should we take part in

80  them? What are these professions and why should we make money out of them? Where in short is it leading us, the procession of the sons of educated men?

 

153. Woolf uses the word “we” throughout the passage mainly to

Close at hand is a bridge over the River Thames, an admirable vantage ground for us to make a survey. The river flows beneath; barges pass, laden

Line  with timber, bursting with corn; there on one side are

5  the domes and spires of the city; on the other, Westminster and the Houses of Parliament. It is a place to stand on by the hour, dreaming. But not now. Now we are pressed for time. Now we are here to consider facts; now we must fix our eyes upon the

10  procession—the procession of the sons of educated men.

There they go, our brothers who have been educated at public schools and universities, mounting those steps, passing in and out of those

15  doors, ascending those pulpits, preaching, teaching, administering justice, practising medicine, transacting business, making money. It is a solemn sight always—a procession, like a caravanserai crossing a desert.... But now, for the past twenty

20  years or so, it is no longer a sight merely, a photograph, or fresco scrawled upon the walls of time, at which we can look with merely an esthetic appreciation. For there, trapesing along at the tail end of the procession, we go ourselves. And that

25 makes a difference. We who have looked so long at the pageant in books, or from a curtained window watched educated men leaving the house at about nine-thirty to go to an office, returning to the house at about six-thirty from an office, need look passively

30  no longer. We too can leave the house, can mount those steps, pass in and out of those doors,... make money, administer justice.... We who now agitate these humble pens may in another century or two speak from a pulpit. Nobody will dare contradict us

35  then; we shall be the mouthpieces of the divine spirit—a solemn thought, is it not? Who can say whether, as time goes on, we may not dress in military uniform, with gold lace on our breasts, swords at our sides, and something like the old

40  family coal-scuttle on our heads, save that that venerable object was never decorated with plumes of white horsehair. You laugh—indeed the shadow of the private house still makes those dresses look a little queer. We have worn private clothes so

45  long.... But we have not come here to laugh, or to

talk of fashions—men’s and women’s. We are here, on the bridge, to ask ourselves certain questions.

And they are very important questions; and we have very little time in which to answer them. The

50  questions that we have to ask and to answer about that procession during this moment of transition are so important that they may well change the lives of all men and women for ever. For we have to ask ourselves, here and now, do we wish to join that

55  procession, or don’t we? On what terms shall we join that procession? Above all, where is it leading us, the procession of educated men? The moment is short; it may last five years; ten years, or perhaps only a matter of a few months longer.... But, you will

60  object, you have no time to think; you have your battles to fight, your rent to pay, your bazaars to organize. That excuse shall not serve you, Madam. As you know from your own experience, and there are facts that prove it, the daughters of educated men

65  have always done their thinking from hand to mouth; not under green lamps at study tables in the cloisters of secluded colleges. They have thought while they stirred the pot, while they rocked the cradle. It was thus that they won us the right to our

70  brand-new sixpence. It falls to us now to go on thinking; how are we to spend that sixpence? Think we must. Let us think in offices; in omnibuses; while we are standing in the crowd watching Coronations and Lord Mayor’s Shows; let us think... in the

75  gallery of the House of Commons; in the Law Courts; let us think at baptisms and marriages and funerals. Let us never cease from thinking—what is this “civilization” in which we find ourselves? What are these ceremonies and why should we take part in

80  them? What are these professions and why should we make money out of them? Where in short is it leading us, the procession of the sons of educated men?

 

154. According to the passage, Woolf chooses the setting of the bridge because it

Close at hand is a bridge over the River Thames, an admirable vantage ground for us to make a survey. The river flows beneath; barges pass, laden

Line  with timber, bursting with corn; there on one side are

5  the domes and spires of the city; on the other, Westminster and the Houses of Parliament. It is a place to stand on by the hour, dreaming. But not now. Now we are pressed for time. Now we are here to consider facts; now we must fix our eyes upon the

10  procession—the procession of the sons of educated men.

There they go, our brothers who have been educated at public schools and universities, mounting those steps, passing in and out of those

15  doors, ascending those pulpits, preaching, teaching, administering justice, practising medicine, transacting business, making money. It is a solemn sight always—a procession, like a caravanserai crossing a desert.... But now, for the past twenty

20  years or so, it is no longer a sight merely, a photograph, or fresco scrawled upon the walls of time, at which we can look with merely an esthetic appreciation. For there, trapesing along at the tail end of the procession, we go ourselves. And that

25 makes a difference. We who have looked so long at the pageant in books, or from a curtained window watched educated men leaving the house at about nine-thirty to go to an office, returning to the house at about six-thirty from an office, need look passively

30  no longer. We too can leave the house, can mount those steps, pass in and out of those doors,... make money, administer justice.... We who now agitate these humble pens may in another century or two speak from a pulpit. Nobody will dare contradict us

35  then; we shall be the mouthpieces of the divine spirit—a solemn thought, is it not? Who can say whether, as time goes on, we may not dress in military uniform, with gold lace on our breasts, swords at our sides, and something like the old

40  family coal-scuttle on our heads, save that that venerable object was never decorated with plumes of white horsehair. You laugh—indeed the shadow of the private house still makes those dresses look a little queer. We have worn private clothes so

45  long.... But we have not come here to laugh, or to

talk of fashions—men’s and women’s. We are here, on the bridge, to ask ourselves certain questions.

And they are very important questions; and we have very little time in which to answer them. The

50  questions that we have to ask and to answer about that procession during this moment of transition are so important that they may well change the lives of all men and women for ever. For we have to ask ourselves, here and now, do we wish to join that

55  procession, or don’t we? On what terms shall we join that procession? Above all, where is it leading us, the procession of educated men? The moment is short; it may last five years; ten years, or perhaps only a matter of a few months longer.... But, you will

60  object, you have no time to think; you have your battles to fight, your rent to pay, your bazaars to organize. That excuse shall not serve you, Madam. As you know from your own experience, and there are facts that prove it, the daughters of educated men

65  have always done their thinking from hand to mouth; not under green lamps at study tables in the cloisters of secluded colleges. They have thought while they stirred the pot, while they rocked the cradle. It was thus that they won us the right to our

70  brand-new sixpence. It falls to us now to go on thinking; how are we to spend that sixpence? Think we must. Let us think in offices; in omnibuses; while we are standing in the crowd watching Coronations and Lord Mayor’s Shows; let us think... in the

75  gallery of the House of Commons; in the Law Courts; let us think at baptisms and marriages and funerals. Let us never cease from thinking—what is this “civilization” in which we find ourselves? What are these ceremonies and why should we take part in

80  them? What are these professions and why should we make money out of them? Where in short is it leading us, the procession of the sons of educated men?

 


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