TOEFL-2

From their inception, most rural neighborhoods in colonial North America included
at least one carpenter, joiner, sawyer, and cooper in woodworking; a weaver and a tailor  
for clothing production; a tanner, currier, and cordwainer (shoemaker) for fabricating leather
objects; and a blacksmith for metalwork, Where stone was the local building material, a
5) mason was sure to appear on the list of people who paid taxes. With only an apprentice as
an assistant, the rural artisan provided the neighborhood with common goods from furniture
to shoes to farm equipment in exchange for cash or for “goods in kind” from the customer’s
field, pasture, or dairy. Sometimes artisans transformed material provided by the customer
wove cloth of yam spun at the farm from the wool of the family sheep; made chairs or tables
10) from wood cut in the customer’s own woodlot; produced shoes or leather breeches from
cow, deer, or sheepskin tanned on the farm.
Like their farming neighbors, rural artisans were part of an economy seen, by one
historian, as “an orchestra conducted by nature.” Some tasks could not be done in the winter,
other had to be put off during harvest time, and still others waited on raw materials that were
15) only produced seasonally. As the days grew shorter, shop hours kept pace, since few artisans
could afford enough artificial light to continue work when the Sun went down. To the best
of their ability, colonial artisans tried to keep their shops as efficient as possible and to
regularize their schedules and methods of production for the best return on their investment
in time, tools, and materials, While it is pleasant to imagine a woodworker, for example,
20) carefully matching lumber, joining a chest together without resort to nails or glue, and
applying all thought and energy to carving beautiful designs on the finished piece, the time
required was not justified unless the customer was willing to pay extra for the quality—
and few in rural areas were, Artisans, therefore, often found it necessary to employ as
many shortcuts and economics as possible while still producing satisfactory products.

From their inception, most rural neighborhoods in colonial North America included
at least one carpenter, joiner, sawyer, and cooper in woodworking; a weaver and a tailor  
for clothing production; a tanner, currier, and cordwainer (shoemaker) for fabricating leather
objects; and a blacksmith for metalwork, Where stone was the local building material, a
5) mason was sure to appear on the list of people who paid taxes. With only an apprentice as
an assistant, the rural artisan provided the neighborhood with common goods from furniture
to shoes to farm equipment in exchange for cash or for “goods in kind” from the customer’s
field, pasture, or dairy. Sometimes artisans transformed material provided by the customer
wove cloth of yam spun at the farm from the wool of the family sheep; made chairs or tables
10) from wood cut in the customer’s own woodlot; produced shoes or leather breeches from
cow, deer, or sheepskin tanned on the farm.
Like their farming neighbors, rural artisans were part of an economy seen, by one
historian, as “an orchestra conducted by nature.” Some tasks could not be done in the winter,
other had to be put off during harvest time, and still others waited on raw materials that were
15) only produced seasonally. As the days grew shorter, shop hours kept pace, since few artisans
could afford enough artificial light to continue work when the Sun went down. To the best
of their ability, colonial artisans tried to keep their shops as efficient as possible and to
regularize their schedules and methods of production for the best return on their investment
in time, tools, and materials, While it is pleasant to imagine a woodworker, for example,
20) carefully matching lumber, joining a chest together without resort to nails or glue, and
applying all thought and energy to carving beautiful designs on the finished piece, the time
required was not justified unless the customer was willing to pay extra for the quality—
and few in rural areas were, Artisans, therefore, often found it necessary to employ as
many shortcuts and economics as possible while still producing satisfactory products.

From their inception, most rural neighborhoods in colonial North America included
at least one carpenter, joiner, sawyer, and cooper in woodworking; a weaver and a tailor  
for clothing production; a tanner, currier, and cordwainer (shoemaker) for fabricating leather
objects; and a blacksmith for metalwork, Where stone was the local building material, a
5) mason was sure to appear on the list of people who paid taxes. With only an apprentice as
an assistant, the rural artisan provided the neighborhood with common goods from furniture
to shoes to farm equipment in exchange for cash or for “goods in kind” from the customer’s
field, pasture, or dairy. Sometimes artisans transformed material provided by the customer
wove cloth of yam spun at the farm from the wool of the family sheep; made chairs or tables
10) from wood cut in the customer’s own woodlot; produced shoes or leather breeches from
cow, deer, or sheepskin tanned on the farm.
Like their farming neighbors, rural artisans were part of an economy seen, by one
historian, as “an orchestra conducted by nature.” Some tasks could not be done in the winter,
other had to be put off during harvest time, and still others waited on raw materials that were
15) only produced seasonally. As the days grew shorter, shop hours kept pace, since few artisans
could afford enough artificial light to continue work when the Sun went down. To the best
of their ability, colonial artisans tried to keep their shops as efficient as possible and to
regularize their schedules and methods of production for the best return on their investment
in time, tools, and materials, While it is pleasant to imagine a woodworker, for example,
20) carefully matching lumber, joining a chest together without resort to nails or glue, and
applying all thought and energy to carving beautiful designs on the finished piece, the time
required was not justified unless the customer was willing to pay extra for the quality—
and few in rural areas were, Artisans, therefore, often found it necessary to employ as
many shortcuts and economics as possible while still producing satisfactory products.

From their inception, most rural neighborhoods in colonial North America included
at least one carpenter, joiner, sawyer, and cooper in woodworking; a weaver and a tailor  
for clothing production; a tanner, currier, and cordwainer (shoemaker) for fabricating leather
objects; and a blacksmith for metalwork, Where stone was the local building material, a
5) mason was sure to appear on the list of people who paid taxes. With only an apprentice as
an assistant, the rural artisan provided the neighborhood with common goods from furniture
to shoes to farm equipment in exchange for cash or for “goods in kind” from the customer’s
field, pasture, or dairy. Sometimes artisans transformed material provided by the customer
wove cloth of yam spun at the farm from the wool of the family sheep; made chairs or tables
10) from wood cut in the customer’s own woodlot; produced shoes or leather breeches from
cow, deer, or sheepskin tanned on the farm.
Like their farming neighbors, rural artisans were part of an economy seen, by one
historian, as “an orchestra conducted by nature.” Some tasks could not be done in the winter,
other had to be put off during harvest time, and still others waited on raw materials that were
15) only produced seasonally. As the days grew shorter, shop hours kept pace, since few artisans
could afford enough artificial light to continue work when the Sun went down. To the best
of their ability, colonial artisans tried to keep their shops as efficient as possible and to
regularize their schedules and methods of production for the best return on their investment
in time, tools, and materials, While it is pleasant to imagine a woodworker, for example,
20) carefully matching lumber, joining a chest together without resort to nails or glue, and
applying all thought and energy to carving beautiful designs on the finished piece, the time
required was not justified unless the customer was willing to pay extra for the quality—
and few in rural areas were, Artisans, therefore, often found it necessary to employ as
many shortcuts and economics as possible while still producing satisfactory products.

From their inception, most rural neighborhoods in colonial North America included
at least one carpenter, joiner, sawyer, and cooper in woodworking; a weaver and a tailor  
for clothing production; a tanner, currier, and cordwainer (shoemaker) for fabricating leather
objects; and a blacksmith for metalwork, Where stone was the local building material, a
5) mason was sure to appear on the list of people who paid taxes. With only an apprentice as
an assistant, the rural artisan provided the neighborhood with common goods from furniture
to shoes to farm equipment in exchange for cash or for “goods in kind” from the customer’s
field, pasture, or dairy. Sometimes artisans transformed material provided by the customer
wove cloth of yam spun at the farm from the wool of the family sheep; made chairs or tables
10) from wood cut in the customer’s own woodlot; produced shoes or leather breeches from
cow, deer, or sheepskin tanned on the farm.
Like their farming neighbors, rural artisans were part of an economy seen, by one
historian, as “an orchestra conducted by nature.” Some tasks could not be done in the winter,
other had to be put off during harvest time, and still others waited on raw materials that were
15) only produced seasonally. As the days grew shorter, shop hours kept pace, since few artisans
could afford enough artificial light to continue work when the Sun went down. To the best
of their ability, colonial artisans tried to keep their shops as efficient as possible and to
regularize their schedules and methods of production for the best return on their investment
in time, tools, and materials, While it is pleasant to imagine a woodworker, for example,
20) carefully matching lumber, joining a chest together without resort to nails or glue, and
applying all thought and energy to carving beautiful designs on the finished piece, the time
required was not justified unless the customer was willing to pay extra for the quality—
and few in rural areas were, Artisans, therefore, often found it necessary to employ as
many shortcuts and economics as possible while still producing satisfactory products.

From their inception, most rural neighborhoods in colonial North America included
at least one carpenter, joiner, sawyer, and cooper in woodworking; a weaver and a tailor  
for clothing production; a tanner, currier, and cordwainer (shoemaker) for fabricating leather
objects; and a blacksmith for metalwork, Where stone was the local building material, a
5) mason was sure to appear on the list of people who paid taxes. With only an apprentice as
an assistant, the rural artisan provided the neighborhood with common goods from furniture
to shoes to farm equipment in exchange for cash or for “goods in kind” from the customer’s
field, pasture, or dairy. Sometimes artisans transformed material provided by the customer
wove cloth of yam spun at the farm from the wool of the family sheep; made chairs or tables
10) from wood cut in the customer’s own woodlot; produced shoes or leather breeches from
cow, deer, or sheepskin tanned on the farm.
Like their farming neighbors, rural artisans were part of an economy seen, by one
historian, as “an orchestra conducted by nature.” Some tasks could not be done in the winter,
other had to be put off during harvest time, and still others waited on raw materials that were
15) only produced seasonally. As the days grew shorter, shop hours kept pace, since few artisans
could afford enough artificial light to continue work when the Sun went down. To the best
of their ability, colonial artisans tried to keep their shops as efficient as possible and to
regularize their schedules and methods of production for the best return on their investment
in time, tools, and materials, While it is pleasant to imagine a woodworker, for example,
20) carefully matching lumber, joining a chest together without resort to nails or glue, and
applying all thought and energy to carving beautiful designs on the finished piece, the time
required was not justified unless the customer was willing to pay extra for the quality—
and few in rural areas were, Artisans, therefore, often found it necessary to employ as
many shortcuts and economics as possible while still producing satisfactory products.

Cities develop as a result of functions that they can perform. Some functions result
directly from the ingenuity of the citizenry, but most functions result from the needs of
the local area and of the surrounding hinterland (the region that supplies goods to the
city and to which the city furnishes services and other goods). Geographers often make
5) a distinction between the situation and the site of a city. Situation refers to the general
position in relation to the surrounding region, whereas site involves physical
characteristics of the specific location. Situation is normally much more important to
the continuing prosperity of a city. if a city is well situated in regard to its hinterland, its
development is much more likely to continue. Chicago, for example, possesses an almost
10) unparalleled situation: it is located at the southern end of a huge lake that forces east-west
transportation lines to be compressed into its vicinity, and at a meeting of significant land
and water transport routes. It also overlooks what is one of the world’s finest large
farming regions. These factors ensured that Chicago would become a great city regardless
of the disadvantageous characteristics of the available site, such as being prone to flooding
15) during thunderstorm activity.
Similarly, it can be argued that much of New York City’s importance stems from its
early and continuing advantage of situation. Philadephia and Boston both originated at
about the same time as New York and shared New York’s location at the western end of
one of the world’s most important oceanic trade routes, but only New York possesses an
20) easy-access functional connection (the Hudson-Mohawk lowland) to the vast Midwestern
hinterland. This account does not alone explain New York’s primacy, but it does include
several important factors. Among the many aspects of situation that help to explain why
some cities grow and others do not, original location on a navigable waterway seems
particularly applicable. Of course, such characteristic as slope, drainage, power
25) resources, river crossings, coastal shapes, and other physical characteristics help to
determine city location, but such factors are normally more significant in early stages
of city development than later.

Cities develop as a result of functions that they can perform. Some functions result
directly from the ingenuity of the citizenry, but most functions result from the needs of
the local area and of the surrounding hinterland (the region that supplies goods to the
city and to which the city furnishes services and other goods). Geographers often make
5) a distinction between the situation and the site of a city. Situation refers to the general
position in relation to the surrounding region, whereas site involves physical
characteristics of the specific location. Situation is normally much more important to
the continuing prosperity of a city. if a city is well situated in regard to its hinterland, its
development is much more likely to continue. Chicago, for example, possesses an almost
10) unparalleled situation: it is located at the southern end of a huge lake that forces east-west
transportation lines to be compressed into its vicinity, and at a meeting of significant land
and water transport routes. It also overlooks what is one of the world’s finest large
farming regions. These factors ensured that Chicago would become a great city regardless
of the disadvantageous characteristics of the available site, such as being prone to flooding
15) during thunderstorm activity.
Similarly, it can be argued that much of New York City’s importance stems from its
early and continuing advantage of situation. Philadephia and Boston both originated at
about the same time as New York and shared New York’s location at the western end of
one of the world’s most important oceanic trade routes, but only New York possesses an
20) easy-access functional connection (the Hudson-Mohawk lowland) to the vast Midwestern
hinterland. This account does not alone explain New York’s primacy, but it does include
several important factors. Among the many aspects of situation that help to explain why
some cities grow and others do not, original location on a navigable waterway seems
particularly applicable. Of course, such characteristic as slope, drainage, power
25) resources, river crossings, coastal shapes, and other physical characteristics help to
determine city location, but such factors are normally more significant in early stages
of city development than later.

Cities develop as a result of functions that they can perform. Some functions result
directly from the ingenuity of the citizenry, but most functions result from the needs of
the local area and of the surrounding hinterland (the region that supplies goods to the
city and to which the city furnishes services and other goods). Geographers often make
5) a distinction between the situation and the site of a city. Situation refers to the general
position in relation to the surrounding region, whereas site involves physical
characteristics of the specific location. Situation is normally much more important to
the continuing prosperity of a city. if a city is well situated in regard to its hinterland, its
development is much more likely to continue. Chicago, for example, possesses an almost
10) unparalleled situation: it is located at the southern end of a huge lake that forces east-west
transportation lines to be compressed into its vicinity, and at a meeting of significant land
and water transport routes. It also overlooks what is one of the world’s finest large
farming regions. These factors ensured that Chicago would become a great city regardless
of the disadvantageous characteristics of the available site, such as being prone to flooding
15) during thunderstorm activity.
Similarly, it can be argued that much of New York City’s importance stems from its
early and continuing advantage of situation. Philadephia and Boston both originated at
about the same time as New York and shared New York’s location at the western end of
one of the world’s most important oceanic trade routes, but only New York possesses an
20) easy-access functional connection (the Hudson-Mohawk lowland) to the vast Midwestern
hinterland. This account does not alone explain New York’s primacy, but it does include
several important factors. Among the many aspects of situation that help to explain why
some cities grow and others do not, original location on a navigable waterway seems
particularly applicable. Of course, such characteristic as slope, drainage, power
25) resources, river crossings, coastal shapes, and other physical characteristics help to
determine city location, but such factors are normally more significant in early stages
of city development than later.

Cities develop as a result of functions that they can perform. Some functions result
directly from the ingenuity of the citizenry, but most functions result from the needs of
the local area and of the surrounding hinterland (the region that supplies goods to the
city and to which the city furnishes services and other goods). Geographers often make
5) a distinction between the situation and the site of a city. Situation refers to the general
position in relation to the surrounding region, whereas site involves physical
characteristics of the specific location. Situation is normally much more important to
the continuing prosperity of a city. if a city is well situated in regard to its hinterland, its
development is much more likely to continue. Chicago, for example, possesses an almost
10) unparalleled situation: it is located at the southern end of a huge lake that forces east-west
transportation lines to be compressed into its vicinity, and at a meeting of significant land
and water transport routes. It also overlooks what is one of the world’s finest large
farming regions. These factors ensured that Chicago would become a great city regardless
of the disadvantageous characteristics of the available site, such as being prone to flooding
15) during thunderstorm activity.
Similarly, it can be argued that much of New York City’s importance stems from its
early and continuing advantage of situation. Philadephia and Boston both originated at
about the same time as New York and shared New York’s location at the western end of
one of the world’s most important oceanic trade routes, but only New York possesses an
20) easy-access functional connection (the Hudson-Mohawk lowland) to the vast Midwestern
hinterland. This account does not alone explain New York’s primacy, but it does include
several important factors. Among the many aspects of situation that help to explain why
some cities grow and others do not, original location on a navigable waterway seems
particularly applicable. Of course, such characteristic as slope, drainage, power
25) resources, river crossings, coastal shapes, and other physical characteristics help to
determine city location, but such factors are normally more significant in early stages
of city development than later.

Cities develop as a result of functions that they can perform. Some functions result
directly from the ingenuity of the citizenry, but most functions result from the needs of
the local area and of the surrounding hinterland (the region that supplies goods to the
city and to which the city furnishes services and other goods). Geographers often make
5) a distinction between the situation and the site of a city. Situation refers to the general
position in relation to the surrounding region, whereas site involves physical
characteristics of the specific location. Situation is normally much more important to
the continuing prosperity of a city. if a city is well situated in regard to its hinterland, its
development is much more likely to continue. Chicago, for example, possesses an almost
10) unparalleled situation: it is located at the southern end of a huge lake that forces east-west
transportation lines to be compressed into its vicinity, and at a meeting of significant land
and water transport routes. It also overlooks what is one of the world’s finest large
farming regions. These factors ensured that Chicago would become a great city regardless
of the disadvantageous characteristics of the available site, such as being prone to flooding
15) during thunderstorm activity.
Similarly, it can be argued that much of New York City’s importance stems from its
early and continuing advantage of situation. Philadephia and Boston both originated at
about the same time as New York and shared New York’s location at the western end of
one of the world’s most important oceanic trade routes, but only New York possesses an
20) easy-access functional connection (the Hudson-Mohawk lowland) to the vast Midwestern
hinterland. This account does not alone explain New York’s primacy, but it does include
several important factors. Among the many aspects of situation that help to explain why
some cities grow and others do not, original location on a navigable waterway seems
particularly applicable. Of course, such characteristic as slope, drainage, power
25) resources, river crossings, coastal shapes, and other physical characteristics help to
determine city location, but such factors are normally more significant in early stages
of city development than later.

Cities develop as a result of functions that they can perform. Some functions result
directly from the ingenuity of the citizenry, but most functions result from the needs of
the local area and of the surrounding hinterland (the region that supplies goods to the
city and to which the city furnishes services and other goods). Geographers often make
5) a distinction between the situation and the site of a city. Situation refers to the general
position in relation to the surrounding region, whereas site involves physical
characteristics of the specific location. Situation is normally much more important to
the continuing prosperity of a city. if a city is well situated in regard to its hinterland, its
development is much more likely to continue. Chicago, for example, possesses an almost
10) unparalleled situation: it is located at the southern end of a huge lake that forces east-west
transportation lines to be compressed into its vicinity, and at a meeting of significant land
and water transport routes. It also overlooks what is one of the world’s finest large
farming regions. These factors ensured that Chicago would become a great city regardless
of the disadvantageous characteristics of the available site, such as being prone to flooding
15) during thunderstorm activity.
Similarly, it can be argued that much of New York City’s importance stems from its
early and continuing advantage of situation. Philadephia and Boston both originated at
about the same time as New York and shared New York’s location at the western end of
one of the world’s most important oceanic trade routes, but only New York possesses an
20) easy-access functional connection (the Hudson-Mohawk lowland) to the vast Midwestern
hinterland. This account does not alone explain New York’s primacy, but it does include
several important factors. Among the many aspects of situation that help to explain why
some cities grow and others do not, original location on a navigable waterway seems
particularly applicable. Of course, such characteristic as slope, drainage, power
25) resources, river crossings, coastal shapes, and other physical characteristics help to
determine city location, but such factors are normally more significant in early stages
of city development than later.

Cities develop as a result of functions that they can perform. Some functions result
directly from the ingenuity of the citizenry, but most functions result from the needs of
the local area and of the surrounding hinterland (the region that supplies goods to the
city and to which the city furnishes services and other goods). Geographers often make
5) a distinction between the situation and the site of a city. Situation refers to the general
position in relation to the surrounding region, whereas site involves physical
characteristics of the specific location. Situation is normally much more important to
the continuing prosperity of a city. if a city is well situated in regard to its hinterland, its
development is much more likely to continue. Chicago, for example, possesses an almost
10) unparalleled situation: it is located at the southern end of a huge lake that forces east-west
transportation lines to be compressed into its vicinity, and at a meeting of significant land
and water transport routes. It also overlooks what is one of the world’s finest large
farming regions. These factors ensured that Chicago would become a great city regardless
of the disadvantageous characteristics of the available site, such as being prone to flooding
15) during thunderstorm activity.
Similarly, it can be argued that much of New York City’s importance stems from its
early and continuing advantage of situation. Philadephia and Boston both originated at
about the same time as New York and shared New York’s location at the western end of
one of the world’s most important oceanic trade routes, but only New York possesses an
20) easy-access functional connection (the Hudson-Mohawk lowland) to the vast Midwestern
hinterland. This account does not alone explain New York’s primacy, but it does include
several important factors. Among the many aspects of situation that help to explain why
some cities grow and others do not, original location on a navigable waterway seems
particularly applicable. Of course, such characteristic as slope, drainage, power
25) resources, river crossings, coastal shapes, and other physical characteristics help to
determine city location, but such factors are normally more significant in early stages
of city development than later.

Cities Develop as a result of functions that they can perform. Some functions result
directly from the ingenuity of the citizenry, but most functions result from the needs of
the local area and of the surrounding hinterland (the region that supplies goods to the
city and to which the city furnishes services and other goods). Geographers often make
5) a distinction between the situation and the site of a city. Situation refers to the general
position in relation to the surrounding region, whereas site involves physical
characteristics of the specific location. Situation is normally much more important to
the continuing prosperity of a city. if a city is well situated in regard to its hinterland, its
development is much more likely to continue. Chicago, for example, possesses an almost
10) unparalleled situation: it is located at the southern end of a huge lake that forces east-west
transportation lines to be compressed into its vicinity, and at a meeting of significant land
and water transport routes. It also overlooks what is one of the world’s finest large
farming regions. These factors ensured that Chicago would become a great city regardless
of the disadvantageous characteristics of the available site, such as being prone to flooding
15) during thunderstorm activity.
Similarly, it can be argued that much of New York City’s importance stems from its
early and continuing advantage of situation. Philadephia and Boston both originated at
about the same time as New York and shared New York’s location at the western end of
one of the world’s most important oceanic trade routes, but only New York possesses an
20) easy-access functional connection (the Hudson-Mohawk lowland) to the vast Midwestern
hinterland. This account does not alone explain New York’s primacy, but it does include
several important factors. Among the many aspects of situation that help to explain why
some cities grow and others do not, original location on a navigable waterway seems
particularly applicable. Of course, such characteristic as slope, drainage, power
25) resources, river crossings, coastal shapes, and other physical characteristics help to
determine city location, but such factors are normally more significant in early stages
of city development than later.

Cities Develop as a result of functions that they can perform. Some functions result
directly from the ingenuity of the citizenry, but most functions result from the needs of
the local area and of the surrounding hinterland (the region that supplies goods to the
city and to which the city furnishes services and other goods). Geographers often make
5) a distinction between the situation and the site of a city. Situation refers to the general
position in relation to the surrounding region, whereas site involves physical
characteristics of the specific location. Situation is normally much more important to
the continuing prosperity of a city. if a city is well situated in regard to its hinterland, its
development is much more likely to continue. Chicago, for example, possesses an almost
10) unparalleled situation: it is located at the southern end of a huge lake that forces east-west
transportation lines to be compressed into its vicinity, and at a meeting of significant land
and water transport routes. It also overlooks what is one of the world’s finest large
farming regions. These factors ensured that Chicago would become a great city regardless
of the disadvantageous characteristics of the available site, such as being prone to flooding
15) during thunderstorm activity.
Similarly, it can be argued that much of New York City’s importance stems from its
early and continuing advantage of situation. Philadephia and Boston both originated at
about the same time as New York and shared New York’s location at the western end of
one of the world’s most important oceanic trade routes, but only New York possesses an
20) easy-access functional connection (the Hudson-Mohawk lowland) to the vast Midwestern
hinterland. This account does not alone explain New York’s primacy, but it does include
several important factors. Among the many aspects of situation that help to explain why
some cities grow and others do not, original location on a navigable waterway seems
particularly applicable. Of course, such characteristic as slope, drainage, power
25) resources, river crossings, coastal shapes, and other physical characteristics help to
determine city location, but such factors are normally more significant in early stages
of city development than later.

Cities Develop as a result of functions that they can perform. Some functions result
directly from the ingenuity of the citizenry, but most functions result from the needs of
the local area and of the surrounding hinterland (the region that supplies goods to the
city and to which the city furnishes services and other goods). Geographers often make
5) a distinction between the situation and the site of a city. Situation refers to the general
position in relation to the surrounding region, whereas site involves physical
characteristics of the specific location. Situation is normally much more important to
the continuing prosperity of a city. if a city is well situated in regard to its hinterland, its
development is much more likely to continue. Chicago, for example, possesses an almost
10) unparalleled situation: it is located at the southern end of a huge lake that forces east-west
transportation lines to be compressed into its vicinity, and at a meeting of significant land
and water transport routes. It also overlooks what is one of the world’s finest large
farming regions. These factors ensured that Chicago would become a great city regardless
of the disadvantageous characteristics of the available site, such as being prone to flooding
15) during thunderstorm activity.
Similarly, it can be argued that much of New York City’s importance stems from its
early and continuing advantage of situation. Philadephia and Boston both originated at
about the same time as New York and shared New York’s location at the western end of
one of the world’s most important oceanic trade routes, but only New York possesses an
20) easy-access functional connection (the Hudson-Mohawk lowland) to the vast Midwestern
hinterland. This account does not alone explain New York’s primacy, but it does include
several important factors. Among the many aspects of situation that help to explain why
some cities grow and others do not, original location on a navigable waterway seems
particularly applicable. Of course, such characteristic as slope, drainage, power
25) resources, river crossings, coastal shapes, and other physical characteristics help to
determine city location, but such factors are normally more significant in early stages
of city development than later.

Cities Develop as a result of functions that they can perform. Some functions result
directly from the ingenuity of the citizenry, but most functions result from the needs of
the local area and of the surrounding hinterland (the region that supplies goods to the
city and to which the city furnishes services and other goods). Geographers often make
5) a distinction between the situation and the site of a city. Situation refers to the general
position in relation to the surrounding region, whereas site involves physical
characteristics of the specific location. Situation is normally much more important to
the continuing prosperity of a city. if a city is well situated in regard to its hinterland, its
development is much more likely to continue. Chicago, for example, possesses an almost
10) unparalleled situation: it is located at the southern end of a huge lake that forces east-west
transportation lines to be compressed into its vicinity, and at a meeting of significant land
and water transport routes. It also overlooks what is one of the world’s finest large
farming regions. These factors ensured that Chicago would become a great city regardless
of the disadvantageous characteristics of the available site, such as being prone to flooding
15) during thunderstorm activity.
Similarly, it can be argued that much of New York City’s importance stems from its
early and continuing advantage of situation. Philadephia and Boston both originated at
about the same time as New York and shared New York’s location at the western end of
one of the world’s most important oceanic trade routes, but only New York possesses an
20) easy-access functional connection (the Hudson-Mohawk lowland) to the vast Midwestern
hinterland. This account does not alone explain New York’s primacy, but it does include
several important factors. Among the many aspects of situation that help to explain why
some cities grow and others do not, original location on a navigable waterway seems
particularly applicable. Of course, such characteristic as slope, drainage, power
25) resources, river crossings, coastal shapes, and other physical characteristics help to
determine city location, but such factors are normally more significant in early stages
of city development than later.

The largest of the giant gas planets, Jupiter, with a volume 1,300 times greater than
Earth’s, contains more than twice the mass of all the other planets combined. It is thought
to be a gaseous and fluid planet without solid surfaces, Had it been somewhat more massive,
Jupiter might have attained internal temperatures as high as the ignition point for nuclear
5) reactions, and it would have flamed as a star in its own right. Jupiter and the other giant
planets are of a low-density type quite distinct from the terrestrial planets: they are
composed predominantly of such substances as hydrogen, helium, ammonia, and methane,
unlike terrestrial planets. Much of Jupiter’s interior might be in the form of liquid, metallic
hydrogen, Normally, hydrogen is a gas, but under pressures of millions of kilograms per
10) square centimeter, which exist in the deep interior of Jupiter, the hydrogen atoms might
lock together to form a liquid with the properties of a metal. Some scientists believe that
the innermost core of Jupiter might be rocky, or metallic like the core of Earth.
Jupiter rotates very fast, once every 9.8 hours. As a result, its clouds, which are composed
 largely of frozen and liquid ammonia, have been whipped into alternating dark and bright
15) bands that circle the planet at different speeds in different latitudes. Jupiter’s puzzling
Great Red Spot changes size as it hovers in the Southern Hemisphere. Scientists speculate
it might be a gigantic hurricane, which because of its large size (the Earth could easily fit
inside it), lasts for hundreds of years.
Jupiter gives off twice as much heat as it receives from the Sun. Perhaps this is primeval
20) heat or beat generated by the continued gravitational contraction of the planet. Another
starlike characteristic of Jupiter is its sixteen natural satellites, which, like a miniature model
of the Solar System, decrease in density with distance—from rocky moons close to Jupiter
to icy moons farther away. If Jupiter were about 70 times more massive, it would have
become a star, Jupiter is the best-preserved sample of the early solar nebula, and with its
satellites, might contain the most important clues about the origin of the Solar System.

The largest of the giant gas planets, Jupiter, with a volume 1,300 times greater than
Earth’s, contains more than twice the mass of all the other planets combined. It is thought
to be a gaseous and fluid planet without solid surfaces, Had it been somewhat more massive,
Jupiter might have attained internal temperatures as high as the ignition point for nuclear
5) reactions, and it would have flamed as a star in its own right. Jupiter and the other giant
planets are of a low-density type quite distinct from the terrestrial planets: they are
composed predominantly of such substances as hydrogen, helium, ammonia, and methane,
unlike terrestrial planets. Much of Jupiter’s interior might be in the form of liquid, metallic
hydrogen, Normally, hydrogen is a gas, but under pressures of millions of kilograms per
10) square centimeter, which exist in the deep interior of Jupiter, the hydrogen atoms might
lock together to form a liquid with the properties of a metal. Some scientists believe that
the innermost core of Jupiter might be rocky, or metallic like the core of Earth.
Jupiter rotates very fast, once every 9.8 hours. As a result, its clouds, which are composed
 largely of frozen and liquid ammonia, have been whipped into alternating dark and bright
15) bands that circle the planet at different speeds in different latitudes. Jupiter’s puzzling
Great Red Spot changes size as it hovers in the Southern Hemisphere. Scientists speculate
it might be a gigantic hurricane, which because of its large size (the Earth could easily fit
inside it), lasts for hundreds of years.
Jupiter gives off twice as much heat as it receives from the Sun. Perhaps this is primeval
20) heat or beat generated by the continued gravitational contraction of the planet. Another
starlike characteristic of Jupiter is its sixteen natural satellites, which, like a miniature model
of the Solar System, decrease in density with distance—from rocky moons close to Jupiter
to icy moons farther away. If Jupiter were about 70 times more massive, it would have
become a star, Jupiter is the best-preserved sample of the early solar nebula, and with its
satellites, might contain the most important clues about the origin of the Solar System.

The largest of the giant gas planets, Jupiter, with a volume 1,300 times greater than
Earth’s, contains more than twice the mass of all the other planets combined. It is thought
to be a gaseous and fluid planet without solid surfaces, Had it been somewhat more massive,
Jupiter might have attained internal temperatures as high as the ignition point for nuclear
5) reactions, and it would have flamed as a star in its own right. Jupiter and the other giant
planets are of a low-density type quite distinct from the terrestrial planets: they are
composed predominantly of such substances as hydrogen, helium, ammonia, and methane,
unlike terrestrial planets. Much of Jupiter’s interior might be in the form of liquid, metallic
hydrogen, Normally, hydrogen is a gas, but under pressures of millions of kilograms per
10) square centimeter, which exist in the deep interior of Jupiter, the hydrogen atoms might
lock together to form a liquid with the properties of a metal. Some scientists believe that
the innermost core of Jupiter might be rocky, or metallic like the core of Earth.
Jupiter rotates very fast, once every 9.8 hours. As a result, its clouds, which are composed
 largely of frozen and liquid ammonia, have been whipped into alternating dark and bright
15) bands that circle the planet at different speeds in different latitudes. Jupiter’s puzzling
Great Red Spot changes size as it hovers in the Southern Hemisphere. Scientists speculate
it might be a gigantic hurricane, which because of its large size (the Earth could easily fit
inside it), lasts for hundreds of years.
Jupiter gives off twice as much heat as it receives from the Sun. Perhaps this is primeval
20) heat or beat generated by the continued gravitational contraction of the planet. Another
starlike characteristic of Jupiter is its sixteen natural satellites, which, like a miniature model
of the Solar System, decrease in density with distance—from rocky moons close to Jupiter
to icy moons farther away. If Jupiter were about 70 times more massive, it would have
become a star, Jupiter is the best-preserved sample of the early solar nebula, and with its
satellites, might contain the most important clues about the origin of the Solar System.

The largest of the giant gas planets, Jupiter, with a volume 1,300 times greater than
Earth’s, contains more than twice the mass of all the other planets combined. It is thought
to be a gaseous and fluid planet without solid surfaces, Had it been somewhat more massive,
Jupiter might have attained internal temperatures as high as the ignition point for nuclear
5) reactions, and it would have flamed as a star in its own right. Jupiter and the other giant
planets are of a low-density type quite distinct from the terrestrial planets: they are
composed predominantly of such substances as hydrogen, helium, ammonia, and methane,
unlike terrestrial planets. Much of Jupiter’s interior might be in the form of liquid, metallic
hydrogen, Normally, hydrogen is a gas, but under pressures of millions of kilograms per
10) square centimeter, which exist in the deep interior of Jupiter, the hydrogen atoms might
lock together to form a liquid with the properties of a metal. Some scientists believe that
the innermost core of Jupiter might be rocky, or metallic like the core of Earth.
Jupiter rotates very fast, once every 9.8 hours. As a result, its clouds, which are composed
 largely of frozen and liquid ammonia, have been whipped into alternating dark and bright
15) bands that circle the planet at different speeds in different latitudes. Jupiter’s puzzling
Great Red Spot changes size as it hovers in the Southern Hemisphere. Scientists speculate
it might be a gigantic hurricane, which because of its large size (the Earth could easily fit
inside it), lasts for hundreds of years.
Jupiter gives off twice as much heat as it receives from the Sun. Perhaps this is primeval
20) heat or beat generated by the continued gravitational contraction of the planet. Another
starlike characteristic of Jupiter is its sixteen natural satellites, which, like a miniature model
of the Solar System, decrease in density with distance—from rocky moons close to Jupiter
to icy moons farther away. If Jupiter were about 70 times more massive, it would have
become a star, Jupiter is the best-preserved sample of the early solar nebula, and with its
satellites, might contain the most important clues about the origin of the Solar System.

The largest of the giant gas planets, Jupiter, with a volume 1,300 times greater than
Earth’s, contains more than twice the mass of all the other planets combined. It is thought
to be a gaseous and fluid planet without solid surfaces, Had it been somewhat more massive,
Jupiter might have attained internal temperatures as high as the ignition point for nuclear
5) reactions, and it would have flamed as a star in its own right. Jupiter and the other giant
planets are of a low-density type quite distinct from the terrestrial planets: they are
composed predominantly of such substances as hydrogen, helium, ammonia, and methane,
unlike terrestrial planets. Much of Jupiter’s interior might be in the form of liquid, metallic
hydrogen, Normally, hydrogen is a gas, but under pressures of millions of kilograms per
10) square centimeter, which exist in the deep interior of Jupiter, the hydrogen atoms might
lock together to form a liquid with the properties of a metal. Some scientists believe that
the innermost core of Jupiter might be rocky, or metallic like the core of Earth.
Jupiter rotates very fast, once every 9.8 hours. As a result, its clouds, which are composed
 largely of frozen and liquid ammonia, have been whipped into alternating dark and bright
15) bands that circle the planet at different speeds in different latitudes. Jupiter’s puzzling
Great Red Spot changes size as it hovers in the Southern Hemisphere. Scientists speculate
it might be a gigantic hurricane, which because of its large size (the Earth could easily fit
inside it), lasts for hundreds of years.
Jupiter gives off twice as much heat as it receives from the Sun. Perhaps this is primeval
20) heat or beat generated by the continued gravitational contraction of the planet. Another
starlike characteristic of Jupiter is its sixteen natural satellites, which, like a miniature model
of the Solar System, decrease in density with distance—from rocky moons close to Jupiter
to icy moons farther away. If Jupiter were about 70 times more massive, it would have
become a star, Jupiter is the best-preserved sample of the early solar nebula, and with its
satellites, might contain the most important clues about the origin of the Solar System.

The largest of the giant gas planets, Jupiter, with a volume 1,300 times greater than
Earth’s, contains more than twice the mass of all the other planets combined. It is thought
to be a gaseous and fluid planet without solid surfaces, Had it been somewhat more massive,
Jupiter might have attained internal temperatures as high as the ignition point for nuclear
5) reactions, and it would have flamed as a star in its own right. Jupiter and the other giant
planets are of a low-density type quite distinct from the terrestrial planets: they are
composed predominantly of such substances as hydrogen, helium, ammonia, and methane,
unlike terrestrial planets. Much of Jupiter’s interior might be in the form of liquid, metallic
hydrogen, Normally, hydrogen is a gas, but under pressures of millions of kilograms per
10) square centimeter, which exist in the deep interior of Jupiter, the hydrogen atoms might
lock together to form a liquid with the properties of a metal. Some scientists believe that
the innermost core of Jupiter might be rocky, or metallic like the core of Earth.
Jupiter rotates very fast, once every 9.8 hours. As a result, its clouds, which are composed
 largely of frozen and liquid ammonia, have been whipped into alternating dark and bright
15) bands that circle the planet at different speeds in different latitudes. Jupiter’s puzzling
Great Red Spot changes size as it hovers in the Southern Hemisphere. Scientists speculate
it might be a gigantic hurricane, which because of its large size (the Earth could easily fit
inside it), lasts for hundreds of years.
Jupiter gives off twice as much heat as it receives from the Sun. Perhaps this is primeval
20) heat or beat generated by the continued gravitational contraction of the planet. Another
starlike characteristic of Jupiter is its sixteen natural satellites, which, like a miniature model
of the Solar System, decrease in density with distance—from rocky moons close to Jupiter
to icy moons farther away. If Jupiter were about 70 times more massive, it would have
become a star, Jupiter is the best-preserved sample of the early solar nebula, and with its
satellites, might contain the most important clues about the origin of the Solar System.

The largest of the giant gas planets, Jupiter, with a volume 1,300 times greater than
Earth’s, contains more than twice the mass of all the other planets combined. It is thought
to be a gaseous and fluid planet without solid surfaces, Had it been somewhat more massive,
Jupiter might have attained internal temperatures as high as the ignition point for nuclear
5) reactions, and it would have flamed as a star in its own right. Jupiter and the other giant
planets are of a low-density type quite distinct from the terrestrial planets: they are
composed predominantly of such substances as hydrogen, helium, ammonia, and methane,
unlike terrestrial planets. Much of Jupiter’s interior might be in the form of liquid, metallic
hydrogen, Normally, hydrogen is a gas, but under pressures of millions of kilograms per
10) square centimeter, which exist in the deep interior of Jupiter, the hydrogen atoms might
lock together to form a liquid with the properties of a metal. Some scientists believe that
the innermost core of Jupiter might be rocky, or metallic like the core of Earth.
Jupiter rotates very fast, once every 9.8 hours. As a result, its clouds, which are composed
 largely of frozen and liquid ammonia, have been whipped into alternating dark and bright
15) bands that circle the planet at different speeds in different latitudes. Jupiter’s puzzling
Great Red Spot changes size as it hovers in the Southern Hemisphere. Scientists speculate
it might be a gigantic hurricane, which because of its large size (the Earth could easily fit
inside it), lasts for hundreds of years.
Jupiter gives off twice as much heat as it receives from the Sun. Perhaps this is primeval
20) heat or beat generated by the continued gravitational contraction of the planet. Another
starlike characteristic of Jupiter is its sixteen natural satellites, which, like a miniature model
of the Solar System, decrease in density with distance—from rocky moons close to Jupiter
to icy moons farther away. If Jupiter were about 70 times more massive, it would have
become a star, Jupiter is the best-preserved sample of the early solar nebula, and with its
satellites, might contain the most important clues about the origin of the Solar System.

The largest of the giant gas planets, Jupiter, with a volume 1,300 times greater than
Earth’s, contains more than twice the mass of all the other planets combined. It is thought
to be a gaseous and fluid planet without solid surfaces, Had it been somewhat more massive,
Jupiter might have attained internal temperatures as high as the ignition point for nuclear
5) reactions, and it would have flamed as a star in its own right. Jupiter and the other giant
planets are of a low-density type quite distinct from the terrestrial planets: they are
composed predominantly of such substances as hydrogen, helium, ammonia, and methane,
unlike terrestrial planets. Much of Jupiter’s interior might be in the form of liquid, metallic
hydrogen, Normally, hydrogen is a gas, but under pressures of millions of kilograms per
10) square centimeter, which exist in the deep interior of Jupiter, the hydrogen atoms might
lock together to form a liquid with the properties of a metal. Some scientists believe that
the innermost core of Jupiter might be rocky, or metallic like the core of Earth.
Jupiter rotates very fast, once every 9.8 hours. As a result, its clouds, which are composed
 largely of frozen and liquid ammonia, have been whipped into alternating dark and bright
15) bands that circle the planet at different speeds in different latitudes. Jupiter’s puzzling
Great Red Spot changes size as it hovers in the Southern Hemisphere. Scientists speculate
it might be a gigantic hurricane, which because of its large size (the Earth could easily fit
inside it), lasts for hundreds of years.
Jupiter gives off twice as much heat as it receives from the Sun. Perhaps this is primeval
20) heat or beat generated by the continued gravitational contraction of the planet. Another
starlike characteristic of Jupiter is its sixteen natural satellites, which, like a miniature model
of the Solar System, decrease in density with distance—from rocky moons close to Jupiter
to icy moons farther away. If Jupiter were about 70 times more massive, it would have
become a star, Jupiter is the best-preserved sample of the early solar nebula, and with its
satellites, might contain the most important clues about the origin of the Solar System.

The largest of the giant gas planets, Jupiter, with a volume 1,300 times greater than
Earth’s, contains more than twice the mass of all the other planets combined. It is thought
to be a gaseous and fluid planet without solid surfaces, Had it been somewhat more massive,
Jupiter might have attained internal temperatures as high as the ignition point for nuclear
5) reactions, and it would have flamed as a star in its own right. Jupiter and the other giant
planets are of a low-density type quite distinct from the terrestrial planets: they are
composed predominantly of such substances as hydrogen, helium, ammonia, and methane,
unlike terrestrial planets. Much of Jupiter’s interior might be in the form of liquid, metallic
hydrogen, Normally, hydrogen is a gas, but under pressures of millions of kilograms per
10) square centimeter, which exist in the deep interior of Jupiter, the hydrogen atoms might
lock together to form a liquid with the properties of a metal. Some scientists believe that
the innermost core of Jupiter might be rocky, or metallic like the core of Earth.
Jupiter rotates very fast, once every 9.8 hours. As a result, its clouds, which are composed
 largely of frozen and liquid ammonia, have been whipped into alternating dark and bright
15) bands that circle the planet at different speeds in different latitudes. Jupiter’s puzzling
Great Red Spot changes size as it hovers in the Southern Hemisphere. Scientists speculate
it might be a gigantic hurricane, which because of its large size (the Earth could easily fit
inside it), lasts for hundreds of years.
Jupiter gives off twice as much heat as it receives from the Sun. Perhaps this is primeval
20) heat or beat generated by the continued gravitational contraction of the planet. Another
starlike characteristic of Jupiter is its sixteen natural satellites, which, like a miniature model
of the Solar System, decrease in density with distance—from rocky moons close to Jupiter
to icy moons farther away. If Jupiter were about 70 times more massive, it would have
become a star, Jupiter is the best-preserved sample of the early solar nebula, and with its
satellites, might contain the most important clues about the origin of the Solar System.

The largest of the giant gas planets, Jupiter, with a volume 1,300 times greater than
Earth’s, contains more than twice the mass of all the other planets combined. It is thought
to be a gaseous and fluid planet without solid surfaces, Had it been somewhat more massive,
Jupiter might have attained internal temperatures as high as the ignition point for nuclear
5) reactions, and it would have flamed as a star in its own right. Jupiter and the other giant
planets are of a low-density type quite distinct from the terrestrial planets: they are
composed predominantly of such substances as hydrogen, helium, ammonia, and methane,
unlike terrestrial planets. Much of Jupiter’s interior might be in the form of liquid, metallic
hydrogen, Normally, hydrogen is a gas, but under pressures of millions of kilograms per
10) square centimeter, which exist in the deep interior of Jupiter, the hydrogen atoms might
lock together to form a liquid with the properties of a metal. Some scientists believe that
the innermost core of Jupiter might be rocky, or metallic like the core of Earth.
Jupiter rotates very fast, once every 9.8 hours. As a result, its clouds, which are composed
 largely of frozen and liquid ammonia, have been whipped into alternating dark and bright
15) bands that circle the planet at different speeds in different latitudes. Jupiter’s puzzling
Great Red Spot changes size as it hovers in the Southern Hemisphere. Scientists speculate
it might be a gigantic hurricane, which because of its large size (the Earth could easily fit
inside it), lasts for hundreds of years.
Jupiter gives off twice as much heat as it receives from the Sun. Perhaps this is primeval
20) heat or beat generated by the continued gravitational contraction of the planet. Another
starlike characteristic of Jupiter is its sixteen natural satellites, which, like a miniature model
of the Solar System, decrease in density with distance—from rocky moons close to Jupiter
to icy moons farther away. If Jupiter were about 70 times more massive, it would have
become a star, Jupiter is the best-preserved sample of the early solar nebula, and with its
satellites, might contain the most important clues about the origin of the Solar System.

The largest of the giant gas planets, Jupiter, with a volume 1,300 times greater than
Earth’s, contains more than twice the mass of all the other planets combined. It is thought
to be a gaseous and fluid planet without solid surfaces, Had it been somewhat more massive,
Jupiter might have attained internal temperatures as high as the ignition point for nuclear
5) reactions, and it would have flamed as a star in its own right. Jupiter and the other giant
planets are of a low-density type quite distinct from the terrestrial planets: they are
composed predominantly of such substances as hydrogen, helium, ammonia, and methane,
unlike terrestrial planets. Much of Jupiter’s interior might be in the form of liquid, metallic
hydrogen, Normally, hydrogen is a gas, but under pressures of millions of kilograms per
10) square centimeter, which exist in the deep interior of Jupiter, the hydrogen atoms might
lock together to form a liquid with the properties of a metal. Some scientists believe that
the innermost core of Jupiter might be rocky, or metallic like the core of Earth.
Jupiter rotates very fast, once every 9.8 hours. As a result, its clouds, which are composed
 largely of frozen and liquid ammonia, have been whipped into alternating dark and bright
15) bands that circle the planet at different speeds in different latitudes. Jupiter’s puzzling
Great Red Spot changes size as it hovers in the Southern Hemisphere. Scientists speculate
it might be a gigantic hurricane, which because of its large size (the Earth could easily fit
inside it), lasts for hundreds of years.
Jupiter gives off twice as much heat as it receives from the Sun. Perhaps this is primeval
20) heat or beat generated by the continued gravitational contraction of the planet. Another
starlike characteristic of Jupiter is its sixteen natural satellites, which, like a miniature model
of the Solar System, decrease in density with distance—from rocky moons close to Jupiter
to icy moons farther away. If Jupiter were about 70 times more massive, it would have
become a star, Jupiter is the best-preserved sample of the early solar nebula, and with its
satellites, might contain the most important clues about the origin of the Solar System.

The largest of the giant gas planets, Jupiter, with a volume 1,300 times greater than
Earth’s, contains more than twice the mass of all the other planets combined. It is thought
to be a gaseous and fluid planet without solid surfaces, Had it been somewhat more massive,
Jupiter might have attained internal temperatures as high as the ignition point for nuclear
5) reactions, and it would have flamed as a star in its own right. Jupiter and the other giant
planets are of a low-density type quite distinct from the terrestrial planets: they are
composed predominantly of such substances as hydrogen, helium, ammonia, and methane,
unlike terrestrial planets. Much of Jupiter’s interior might be in the form of liquid, metallic
hydrogen, Normally, hydrogen is a gas, but under pressures of millions of kilograms per
10) square centimeter, which exist in the deep interior of Jupiter, the hydrogen atoms might
lock together to form a liquid with the properties of a metal. Some scientists believe that
the innermost core of Jupiter might be rocky, or metallic like the core of Earth.
Jupiter rotates very fast, once every 9.8 hours. As a result, its clouds, which are composed
 largely of frozen and liquid ammonia, have been whipped into alternating dark and bright
15) bands that circle the planet at different speeds in different latitudes. Jupiter’s puzzling
Great Red Spot changes size as it hovers in the Southern Hemisphere. Scientists speculate
it might be a gigantic hurricane, which because of its large size (the Earth could easily fit
inside it), lasts for hundreds of years.
Jupiter gives off twice as much heat as it receives from the Sun. Perhaps this is primeval
20) heat or beat generated by the continued gravitational contraction of the planet. Another
starlike characteristic of Jupiter is its sixteen natural satellites, which, like a miniature model
of the Solar System, decrease in density with distance—from rocky moons close to Jupiter
to icy moons farther away. If Jupiter were about 70 times more massive, it would have
become a star, Jupiter is the best-preserved sample of the early solar nebula, and with its
satellites, might contain the most important clues about the origin of the Solar System.

The tern “art deco” has come to encompass three distinct but related design trends
of the 1920’s and 1930’s. The first was what is frequently referred to as “zigzag
moderne” –the exotically ornamental style of such skyscrapers as the Chrysler Building
in New York City and related structures such as the Paramount Theater in Oakland,
5) California The word “zigzag” alludes to the geometric and stylized ornamentation of
zigzags, angular patterns, abstracted plant and animal motifs, sunbursts, astrological
imagery, formalized fountains, and related themes that were applied in mosaic relief.
and mural form to the exterior and interior of the buildings. Many of these buildings were
shaped in the ziggurat form, a design resembling an ancient Mesopotamian temple tower
10) that recedes in progressively smaller stages to the summit, creating a staircase-like effect.
The second manifestation of art deco was the 1930’s streamlined moderne” style—a
Futuristic-looking aerodynamic style of rounded corners and horizontal bands known as
“speed stripes.” In architecture, these elements were frequently accompanied by round
windows, extensive use of glass block, and flat rooftops.
15) The third style, referred to as cither “ international stripped classicism,” or simply
“ classical moderne,” also came to the forefront during the Depression, a period of severe
economic difficult in the 1930’s. This was amore conservative style, blending a
simplified modernistic style with a more austere form of geometric and stylized relief
sculpture and other ornament, including interior murals. May buildings in this style
20) were erected nationwide through government programs during the Depression .
Although art deco in its many forms was largely perceived as thoroughly modern,
it was strongly influenced by the decorative arts movements that immediately preceded
it. For example, like “art nouveau” (1890-1910), art deco also used plant motifs, but
regularized the forms into abstracted repetitive patterns rather than presenting them as
25) flowing, asymmetrical foliage, Like the Viennese craftspeople of the Wiener Werkstatte,
art deco designers worked with exotic materials, geometricized shapes, and colorfully
ornate patterns. Furthermore, like the artisans of the Arts and Crafts Movement in England
and the United States, art deep practitioners considered it their mission to transform the
domestic environment through well-designed furniture and household accessories.

The tern “art deco” has come to encompass three distinct but related design trends
of the 1920’s and 1930’s. The first was what is frequently referred to as “zigzag
moderne” –the exotically ornamental style of such skyscrapers as the Chrysler Building
in New York City and related structures such as the Paramount Theater in Oakland,
5) California The word “zigzag” alludes to the geometric and stylized ornamentation of
zigzags, angular patterns, abstracted plant and animal motifs, sunbursts, astrological
imagery, formalized fountains, and related themes that were applied in mosaic relief.
and mural form to the exterior and interior of the buildings. Many of these buildings were
shaped in the ziggurat form, a design resembling an ancient Mesopotamian temple tower
10) that recedes in progressively smaller stages to the summit, creating a staircase-like effect.
The second manifestation of art deco was the 1930’s streamlined moderne” style—a
Futuristic-looking aerodynamic style of rounded corners and horizontal bands known as
“speed stripes.” In architecture, these elements were frequently accompanied by round
windows, extensive use of glass block, and flat rooftops.
15) The third style, referred to as cither “ international stripped classicism,” or simply
“ classical moderne,” also came to the forefront during the Depression, a period of severe
economic difficult in the 1930’s. This was amore conservative style, blending a
simplified modernistic style with a more austere form of geometric and stylized relief
sculpture and other ornament, including interior murals. May buildings in this style
20) were erected nationwide through government programs during the Depression .
Although art deco in its many forms was largely perceived as thoroughly modern,
it was strongly influenced by the decorative arts movements that immediately preceded
it. For example, like “art nouveau” (1890-1910), art deco also used plant motifs, but
regularized the forms into abstracted repetitive patterns rather than presenting them as
25) flowing, asymmetrical foliage, Like the Viennese craftspeople of the Wiener Werkstatte,
art deco designers worked with exotic materials, geometricized shapes, and colorfully
ornate patterns. Furthermore, like the artisans of the Arts and Crafts Movement in England
and the United States, art deep practitioners considered it their mission to transform the
domestic environment through well-designed furniture and household accessories.

The tern “art deco” has come to encompass three distinct but related design trends
of the 1920’s and 1930’s. The first was what is frequently referred to as “zigzag
moderne” –the exotically ornamental style of such skyscrapers as the Chrysler Building
in New York City and related structures such as the Paramount Theater in Oakland,
5) California The word “zigzag” alludes to the geometric and stylized ornamentation of
zigzags, angular patterns, abstracted plant and animal motifs, sunbursts, astrological
imagery, formalized fountains, and related themes that were applied in mosaic relief.
and mural form to the exterior and interior of the buildings. Many of these buildings were
shaped in the ziggurat form, a design resembling an ancient Mesopotamian temple tower
10) that recedes in progressively smaller stages to the summit, creating a staircase-like effect.
The second manifestation of art deco was the 1930’s streamlined moderne” style—a
Futuristic-looking aerodynamic style of rounded corners and horizontal bands known as
“speed stripes.” In architecture, these elements were frequently accompanied by round
windows, extensive use of glass block, and flat rooftops.
15) The third style, referred to as cither “ international stripped classicism,” or simply
“ classical moderne,” also came to the forefront during the Depression, a period of severe
economic difficult in the 1930’s. This was amore conservative style, blending a
simplified modernistic style with a more austere form of geometric and stylized relief
sculpture and other ornament, including interior murals. May buildings in this style
20) were erected nationwide through government programs during the Depression .
Although art deco in its many forms was largely perceived as thoroughly modern,
it was strongly influenced by the decorative arts movements that immediately preceded
it. For example, like “art nouveau” (1890-1910), art deco also used plant motifs, but
regularized the forms into abstracted repetitive patterns rather than presenting them as
25) flowing, asymmetrical foliage, Like the Viennese craftspeople of the Wiener Werkstatte,
art deco designers worked with exotic materials, geometricized shapes, and colorfully
ornate patterns. Furthermore, like the artisans of the Arts and Crafts Movement in England
and the United States, art deep practitioners considered it their mission to transform the
domestic environment through well-designed furniture and household accessories.

The tern “art deco” has come to encompass three distinct but related design trends
of the 1920’s and 1930’s. The first was what is frequently referred to as “zigzag
moderne” –the exotically ornamental style of such skyscrapers as the Chrysler Building
in New York City and related structures such as the Paramount Theater in Oakland,
5) California The word “zigzag” alludes to the geometric and stylized ornamentation of
zigzags, angular patterns, abstracted plant and animal motifs, sunbursts, astrological
imagery, formalized fountains, and related themes that were applied in mosaic relief.
and mural form to the exterior and interior of the buildings. Many of these buildings were
shaped in the ziggurat form, a design resembling an ancient Mesopotamian temple tower
10) that recedes in progressively smaller stages to the summit, creating a staircase-like effect.
The second manifestation of art deco was the 1930’s streamlined moderne” style—a
Futuristic-looking aerodynamic style of rounded corners and horizontal bands known as
“speed stripes.” In architecture, these elements were frequently accompanied by round
windows, extensive use of glass block, and flat rooftops.
15) The third style, referred to as cither “ international stripped classicism,” or simply
“ classical moderne,” also came to the forefront during the Depression, a period of severe
economic difficult in the 1930’s. This was amore conservative style, blending a
simplified modernistic style with a more austere form of geometric and stylized relief
sculpture and other ornament, including interior murals. May buildings in this style
20) were erected nationwide through government programs during the Depression .
Although art deco in its many forms was largely perceived as thoroughly modern,
it was strongly influenced by the decorative arts movements that immediately preceded
it. For example, like “art nouveau” (1890-1910), art deco also used plant motifs, but
regularized the forms into abstracted repetitive patterns rather than presenting them as
25) flowing, asymmetrical foliage, Like the Viennese craftspeople of the Wiener Werkstatte,
art deco designers worked with exotic materials, geometricized shapes, and colorfully
ornate patterns. Furthermore, like the artisans of the Arts and Crafts Movement in England
and the United States, art deep practitioners considered it their mission to transform the
domestic environment through well-designed furniture and household accessories.

The tern “art deco” has come to encompass three distinct but related design trends
of the 1920’s and 1930’s. The first was what is frequently referred to as “zigzag
moderne” –the exotically ornamental style of such skyscrapers as the Chrysler Building
in New York City and related structures such as the Paramount Theater in Oakland,
5) California The word “zigzag” alludes to the geometric and stylized ornamentation of
zigzags, angular patterns, abstracted plant and animal motifs, sunbursts, astrological
imagery, formalized fountains, and related themes that were applied in mosaic relief.
and mural form to the exterior and interior of the buildings. Many of these buildings were
shaped in the ziggurat form, a design resembling an ancient Mesopotamian temple tower
10) that recedes in progressively smaller stages to the summit, creating a staircase-like effect.
The second manifestation of art deco was the 1930’s streamlined moderne” style—a
Futuristic-looking aerodynamic style of rounded corners and horizontal bands known as
“speed stripes.” In architecture, these elements were frequently accompanied by round
windows, extensive use of glass block, and flat rooftops.
15) The third style, referred to as cither “ international stripped classicism,” or simply
“ classical moderne,” also came to the forefront during the Depression, a period of severe
economic difficult in the 1930’s. This was amore conservative style, blending a
simplified modernistic style with a more austere form of geometric and stylized relief
sculpture and other ornament, including interior murals. May buildings in this style
20) were erected nationwide through government programs during the Depression .
Although art deco in its many forms was largely perceived as thoroughly modern,
it was strongly influenced by the decorative arts movements that immediately preceded
it. For example, like “art nouveau” (1890-1910), art deco also used plant motifs, but
regularized the forms into abstracted repetitive patterns rather than presenting them as
25) flowing, asymmetrical foliage, Like the Viennese craftspeople of the Wiener Werkstatte,
art deco designers worked with exotic materials, geometricized shapes, and colorfully
ornate patterns. Furthermore, like the artisans of the Arts and Crafts Movement in England
and the United States, art deep practitioners considered it their mission to transform the
domestic environment through well-designed furniture and household accessories.

The tern “art deco” has come to encompass three distinct but related design trends
of the 1920’s and 1930’s. The first was what is frequently referred to as “zigzag
moderne” –the exotically ornamental style of such skyscrapers as the Chrysler Building
in New York City and related structures such as the Paramount Theater in Oakland,
5) California The word “zigzag” alludes to the geometric and stylized ornamentation of
zigzags, angular patterns, abstracted plant and animal motifs, sunbursts, astrological
imagery, formalized fountains, and related themes that were applied in mosaic relief.
and mural form to the exterior and interior of the buildings. Many of these buildings were
shaped in the ziggurat form, a design resembling an ancient Mesopotamian temple tower
10) that recedes in progressively smaller stages to the summit, creating a staircase-like effect.
The second manifestation of art deco was the 1930’s streamlined moderne” style—a
Futuristic-looking aerodynamic style of rounded corners and horizontal bands known as
“speed stripes.” In architecture, these elements were frequently accompanied by round
windows, extensive use of glass block, and flat rooftops.
15) The third style, referred to as cither “ international stripped classicism,” or simply
“ classical moderne,” also came to the forefront during the Depression, a period of severe
economic difficult in the 1930’s. This was amore conservative style, blending a
simplified modernistic style with a more austere form of geometric and stylized relief
sculpture and other ornament, including interior murals. May buildings in this style
20) were erected nationwide through government programs during the Depression .
Although art deco in its many forms was largely perceived as thoroughly modern,
it was strongly influenced by the decorative arts movements that immediately preceded
it. For example, like “art nouveau” (1890-1910), art deco also used plant motifs, but
regularized the forms into abstracted repetitive patterns rather than presenting them as
25) flowing, asymmetrical foliage, Like the Viennese craftspeople of the Wiener Werkstatte,
art deco designers worked with exotic materials, geometricized shapes, and colorfully
ornate patterns. Furthermore, like the artisans of the Arts and Crafts Movement in England
and the United States, art deep practitioners considered it their mission to transform the
domestic environment through well-designed furniture and household accessories.

The tern “art deco” has come to encompass three distinct but related design trends
of the 1920’s and 1930’s. The first was what is frequently referred to as “zigzag
moderne” –the exotically ornamental style of such skyscrapers as the Chrysler Building
in New York City and related structures such as the Paramount Theater in Oakland,
5) California The word “zigzag” alludes to the geometric and stylized ornamentation of
zigzags, angular patterns, abstracted plant and animal motifs, sunbursts, astrological
imagery, formalized fountains, and related themes that were applied in mosaic relief.
and mural form to the exterior and interior of the buildings. Many of these buildings were
shaped in the ziggurat form, a design resembling an ancient Mesopotamian temple tower
10) that recedes in progressively smaller stages to the summit, creating a staircase-like effect.
The second manifestation of art deco was the 1930’s streamlined moderne” style—a
Futuristic-looking aerodynamic style of rounded corners and horizontal bands known as
“speed stripes.” In architecture, these elements were frequently accompanied by round
windows, extensive use of glass block, and flat rooftops.
15) The third style, referred to as cither “ international stripped classicism,” or simply
“ classical moderne,” also came to the forefront during the Depression, a period of severe
economic difficult in the 1930’s. This was amore conservative style, blending a
simplified modernistic style with a more austere form of geometric and stylized relief
sculpture and other ornament, including interior murals. May buildings in this style
20) were erected nationwide through government programs during the Depression .
Although art deco in its many forms was largely perceived as thoroughly modern,
it was strongly influenced by the decorative arts movements that immediately preceded
it. For example, like “art nouveau” (1890-1910), art deco also used plant motifs, but
regularized the forms into abstracted repetitive patterns rather than presenting them as
25) flowing, asymmetrical foliage, Like the Viennese craftspeople of the Wiener Werkstatte,
art deco designers worked with exotic materials, geometricized shapes, and colorfully
ornate patterns. Furthermore, like the artisans of the Arts and Crafts Movement in England
and the United States, art deep practitioners considered it their mission to transform the
domestic environment through well-designed furniture and household accessories.

The tern “art deco” has come to encompass three distinct but related design trends
of the 1920’s and 1930’s. The first was what is frequently referred to as “zigzag
moderne” –the exotically ornamental style of such skyscrapers as the Chrysler Building
in New York City and related structures such as the Paramount Theater in Oakland,
5) California The word “zigzag” alludes to the geometric and stylized ornamentation of
zigzags, angular patterns, abstracted plant and animal motifs, sunbursts, astrological
imagery, formalized fountains, and related themes that were applied in mosaic relief.
and mural form to the exterior and interior of the buildings. Many of these buildings were
shaped in the ziggurat form, a design resembling an ancient Mesopotamian temple tower
10) that recedes in progressively smaller stages to the summit, creating a staircase-like effect.
The second manifestation of art deco was the 1930’s streamlined moderne” style—a
Futuristic-looking aerodynamic style of rounded corners and horizontal bands known as
“speed stripes.” In architecture, these elements were frequently accompanied by round
windows, extensive use of glass block, and flat rooftops.
15) The third style, referred to as cither “ international stripped classicism,” or simply
“ classical moderne,” also came to the forefront during the Depression, a period of severe
economic difficult in the 1930’s. This was amore conservative style, blending a
simplified modernistic style with a more austere form of geometric and stylized relief
sculpture and other ornament, including interior murals. May buildings in this style
20) were erected nationwide through government programs during the Depression .
Although art deco in its many forms was largely perceived as thoroughly modern,
it was strongly influenced by the decorative arts movements that immediately preceded
it. For example, like “art nouveau” (1890-1910), art deco also used plant motifs, but
regularized the forms into abstracted repetitive patterns rather than presenting them as
25) flowing, asymmetrical foliage, Like the Viennese craftspeople of the Wiener Werkstatte,
art deco designers worked with exotic materials, geometricized shapes, and colorfully
ornate patterns. Furthermore, like the artisans of the Arts and Crafts Movement in England
and the United States, art deep practitioners considered it their mission to transform the
domestic environment through well-designed furniture and household accessories.

The tern “art deco” has come to encompass three distinct but related design trends
of the 1920’s and 1930’s. The first was what is frequently referred to as “zigzag
moderne” –the exotically ornamental style of such skyscrapers as the Chrysler Building
in New York City and related structures such as the Paramount Theater in Oakland,
5) California The word “zigzag” alludes to the geometric and stylized ornamentation of
zigzags, angular patterns, abstracted plant and animal motifs, sunbursts, astrological
imagery, formalized fountains, and related themes that were applied in mosaic relief.
and mural form to the exterior and interior of the buildings. Many of these buildings were
shaped in the ziggurat form, a design resembling an ancient Mesopotamian temple tower
10) that recedes in progressively smaller stages to the summit, creating a staircase-like effect.
The second manifestation of art deco was the 1930’s streamlined moderne” style—a
Futuristic-looking aerodynamic style of rounded corners and horizontal bands known as
“speed stripes.” In architecture, these elements were frequently accompanied by round
windows, extensive use of glass block, and flat rooftops.
15) The third style, referred to as cither “ international stripped classicism,” or simply
“ classical moderne,” also came to the forefront during the Depression, a period of severe
economic difficult in the 1930’s. This was amore conservative style, blending a
simplified modernistic style with a more austere form of geometric and stylized relief
sculpture and other ornament, including interior murals. May buildings in this style
20) were erected nationwide through government programs during the Depression .
Although art deco in its many forms was largely perceived as thoroughly modern,
it was strongly influenced by the decorative arts movements that immediately preceded
it. For example, like “art nouveau” (1890-1910), art deco also used plant motifs, but
regularized the forms into abstracted repetitive patterns rather than presenting them as
25) flowing, asymmetrical foliage, Like the Viennese craftspeople of the Wiener Werkstatte,
art deco designers worked with exotic materials, geometricized shapes, and colorfully
ornate patterns. Furthermore, like the artisans of the Arts and Crafts Movement in England
and the United States, art deep practitioners considered it their mission to transform the
domestic environment through well-designed furniture and household accessories.

The tern “art deco” has come to encompass three distinct but related design trends
of the 1920’s and 1930’s. The first was what is frequently referred to as “zigzag
moderne” –the exotically ornamental style of such skyscrapers as the Chrysler Building
in New York City and related structures such as the Paramount Theater in Oakland,
5) California The word “zigzag” alludes to the geometric and stylized ornamentation of
zigzags, angular patterns, abstracted plant and animal motifs, sunbursts, astrological
imagery, formalized fountains, and related themes that were applied in mosaic relief.
and mural form to the exterior and interior of the buildings. Many of these buildings were
shaped in the ziggurat form, a design resembling an ancient Mesopotamian temple tower
10) that recedes in progressively smaller stages to the summit, creating a staircase-like effect.
The second manifestation of art deco was the 1930’s streamlined moderne” style—a
Futuristic-looking aerodynamic style of rounded corners and horizontal bands known as
“speed stripes.” In architecture, these elements were frequently accompanied by round
windows, extensive use of glass block, and flat rooftops.
15) The third style, referred to as cither “ international stripped classicism,” or simply
“ classical moderne,” also came to the forefront during the Depression, a period of severe
economic difficult in the 1930’s. This was amore conservative style, blending a
simplified modernistic style with a more austere form of geometric and stylized relief
sculpture and other ornament, including interior murals. May buildings in this style
20) were erected nationwide through government programs during the Depression .
Although art deco in its many forms was largely perceived as thoroughly modern,
it was strongly influenced by the decorative arts movements that immediately preceded
it. For example, like “art nouveau” (1890-1910), art deco also used plant motifs, but
regularized the forms into abstracted repetitive patterns rather than presenting them as
25) flowing, asymmetrical foliage, Like the Viennese craftspeople of the Wiener Werkstatte,
art deco designers worked with exotic materials, geometricized shapes, and colorfully
ornate patterns. Furthermore, like the artisans of the Arts and Crafts Movement in England
and the United States, art deep practitioners considered it their mission to transform the
domestic environment through well-designed furniture and household accessories.

The tern “art deco” has come to encompass three distinct but related design trends
of the 1920’s and 1930’s. The first was what is frequently referred to as “zigzag
moderne” –the exotically ornamental style of such skyscrapers as the Chrysler Building
in New York City and related structures such as the Paramount Theater in Oakland,
5) California The word “zigzag” alludes to the geometric and stylized ornamentation of
zigzags, angular patterns, abstracted plant and animal motifs, sunbursts, astrological
imagery, formalized fountains, and related themes that were applied in mosaic relief.
and mural form to the exterior and interior of the buildings. Many of these buildings were
shaped in the ziggurat form, a design resembling an ancient Mesopotamian temple tower
10) that recedes in progressively smaller stages to the summit, creating a staircase-like effect.
The second manifestation of art deco was the 1930’s streamlined moderne” style—a
Futuristic-looking aerodynamic style of rounded corners and horizontal bands known as
“speed stripes.” In architecture, these elements were frequently accompanied by round
windows, extensive use of glass block, and flat rooftops.
15) The third style, referred to as cither “ international stripped classicism,” or simply
“ classical moderne,” also came to the forefront during the Depression, a period of severe
economic difficult in the 1930’s. This was amore conservative style, blending a
simplified modernistic style with a more austere form of geometric and stylized relief
sculpture and other ornament, including interior murals. May buildings in this style
20) were erected nationwide through government programs during the Depression .
Although art deco in its many forms was largely perceived as thoroughly modern,
it was strongly influenced by the decorative arts movements that immediately preceded
it. For example, like “art nouveau” (1890-1910), art deco also used plant motifs, but
regularized the forms into abstracted repetitive patterns rather than presenting them as
25) flowing, asymmetrical foliage, Like the Viennese craftspeople of the Wiener Werkstatte,
art deco designers worked with exotic materials, geometricized shapes, and colorfully
ornate patterns. Furthermore, like the artisans of the Arts and Crafts Movement in England
and the United States, art deep practitioners considered it their mission to transform the
domestic environment through well-designed furniture and household accessories.

1 Paleontologists have argued for a long time that the demise of the dinosaurs was caused by
climatic alterations associated with slow changes in the positions of continents and seas
resulting from plate tectonics. Off and on throughout the Cretaceous (the last period of the
Mesozoic era, during which dinosaurs flourished), large shallow seas covered extensive areas
of the continents. Data from diverse sources, including geochemical evidence preserved in
seafloor sediments, indicate that the Late Cretaceous climate was milder than today’s. The
days were not too hot, nor the nights too cold. The summers were not too warm, nor the
winters too frigid. The shallow seas on the continents probably buffered the temperature of the
nearby air, keeping it relatively constant.

3 If true, though, why did cold-blooded animals such as snakes, lizards, turtles, and crocodiles
survive the freezing winters and torrid summers? These animals are at the mercy of the
climate to maintain a livable body temperature. It’s hard to understand why they would not be
affected, whereas dinosaurs were left too crippled to cope, especially if, as some scientists
believe, dinosaurs were warm-blooded. Critics also point out that the shallow seaways had
retreated from and advanced on the continents numerous times during the Mesozoic, so why
did the dinosaurs survive the climatic changes associated with the earlier fluctuations but not
with this one? Although initially appealing, the hypothesis of a simple climatic change related
to sea levels is insufficient to explain all the data.

3 If true, though, why did cold-blooded animals such as snakes, lizards, turtles, and crocodiles
survive the freezing winters and torrid summers? These animals are at the mercy of the
climate to maintain a livable body temperature. It’s hard to understand why they would not be
affected, whereas dinosaurs were left too crippled to cope, especially if, as some scientists
believe, dinosaurs were warm-blooded. Critics also point out that the shallow seaways had
retreated from and advanced on the continents numerous times during the Mesozoic, so why
did the dinosaurs survive the climatic changes associated with the earlier fluctuations but not
with this one? Although initially appealing, the hypothesis of a simple climatic change related
to sea levels is insufficient to explain all the data

Add description h4 Dissatisfaction with conventional explanations for dinosaur extinctions led to a surprising
observation that, in turn, has suggested a new hypothesis. Many plants and animals disappearere!
abruptly from the fossil record as one moves from layers of rock documenting the end of the
Cretaceous up into rocks representing the beginning of the Cenozoic (the era after the
Mesozoic). Between the last layer of Cretaceous rock and the first layer of Cenozoic rock,
there is often a thin layer of clay. Scientists felt that they could get an idea of how long the
extinctions took by determining how long it took to deposit this one centimeter of clay and
they thought they could determine the time it took to deposit the clay by determining the
amount of the element iridium (Ir) it contained.